tag:blogger.com,1999:blog-73716516412769521222024-03-13T19:07:29.110+01:00LumièreLumièrehttp://www.blogger.com/profile/03760591998799509107noreply@blogger.comBlogger30125tag:blogger.com,1999:blog-7371651641276952122.post-79251083368140043412013-04-03T13:28:00.003+02:002013-04-07T15:56:53.120+02:00"Hearing is believing" (I-IV): 1894/5 - 1932 + Brussels Philharmonic ciné-concert Metropolis<span style="font-family: Trebuchet MS, sans-serif;">In de achtdelige "Hearing is believing" nemen we je in een vogelvlucht mee in de geschiedenis van de filmmuziek. Filmmuziek in de breedste zin van het woord is er eigenlijk altijd al geweest.</span><br />
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<span style="font-family: Trebuchet MS, sans-serif;"> Op 28 december 1895 in het Salon Indien van het Grand Café op de Boulevard des Capucines toonden de gebroeders Auguste en Louis Lumière hun uitvinding aan een publiek, filmhistorici zijn het doorgaans er over eens dat hier de cinéma werd geboren. Het is nagenoeg zeker dat op soortgelijke vertoningen muziek aanwezig was. Ongeveer een jaar eerder werd dit filmpje in Thomas Edison's "Black Maria" ontwikkeld: </span><br />
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<span style="font-family: Trebuchet MS, sans-serif;">In dit filmpje zien we twee mannen dansen op de tonen van een voor viool bewerkte Barcarolle ("Song of the Cabin Boy") uit de lichte opera <i>Les Cloches de Corneville</i> (1877) van componist Robert Planquette. Het gaat meer om opgenomen geluid, dan filmmuziek zoals we dat doorgaans kennen. Maar waar dit filmpje op wijst is dat geluid van het begin een rol speelde in de ontwikkeling van de cinéma. Voor Edison was het hem eigenlijk meer te doen om een visueel bewijs te hebben van de werking van zijn phonograaf, dan om het uitvinden van de cinéma.</span></div>
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<span style="font-family: Trebuchet MS, sans-serif; font-size: x-large;"><b>"Hearing is believing"</b></span><br />
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<span style="font-family: Trebuchet MS, sans-serif;">Muziek was er dus van het begin bij, maar waarom? Je kan daarvoor ver in de geschiedenis gaan (het Griekse theater waar hoogstwaarschijnlijk muziek - de lier, kithara of aulos? - geklonken heeft, de opera, muzikale voor-, na- en tussenspelen bij theatervertoningen), maar ook de 19e eeuw had een rijke audiovisuele cultuur, bijvoorbeeld de zogenaamde ballad recitals en het schaduwtheater met de "magische lantaarn". Hierbij werd er vaak gezongen, en ook in de vroege cinéma werden de beelden vaak verduidelijkt door een zanger of verteller. Nog steeds de vraag, waarom? </span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Doe de test maar eens voor je zelf: zet een film op en zet het geluid af. Het wordt moeilijk om je in het verhaal in te leven. Muziek verlaagt de barrière en bewerkstelligt de zogenaamde "suspension of disbelief". We willen pas meegaan in het verhaal als we geluid of muziek ter ondersteuning van de beelden hebben. Bepaalde psychoanalytische theoretici uit de jaren '70 (bv. Didier Anzier, Gerard Blanchard en Guy Rosolato) beweren dat we in het vroegste levensstadium (met name in de baarmoeder) al een intiem contact hebben met geluid, geluid met muzikale karakteristieken zoals ritme en toonhoogte. Ook wanneer we het levenslicht zien worden we omringd door een wereld vol muzikale klanken, denk maar aan de manier waarop een moeder eerder zingt dan spreekt tegen een baby. De donkere cinéma-zaal, met haar wereld vol (muzikale) klanken zou ons terugbrengen naar onze vroegste zorgeloze levensjaren. Inderdaad, in de verduisterde filmzaal met projectiescherm en goed versterkt geluid vergeten we soms dat we naar een (geconstrueerde) film aan het kijken zijn. </span><br />
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<span style="font-family: Trebuchet MS, sans-serif; font-size: x-large;"><b>De eerste filmscores</b></span><br />
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<span style="font-family: Trebuchet MS, sans-serif;">Sommige stemmen menen dat er pas filmmuziek is wanneer er sprake is van echte filmscores, geschreven voor een en dezelfde film. Dit is een normatieve dwaling die de realiteit geweld aandoet. Filmcomponisten recycleren vaak bestaand materiaal, al dan niet van hun eigen composities of in het geval van Shostakovich of William Walton herwerken ze hun filmmuziek tot concertmuziek. Wat vandaag beschouwd wordt als de eerste score (voor zover geweten) is deze van Camille Saint-Saëns voor de film d'art </span><span style="font-family: 'Trebuchet MS', sans-serif;"> </span><i style="font-family: 'Trebuchet MS', sans-serif;">L'assasinat du duc de Guise</i><span style="font-family: 'Trebuchet MS', sans-serif;"> (1908). </span><br />
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<i style="font-family: 'Trebuchet MS', sans-serif; font-size: x-small; text-align: start;">L'assasinat du duc de Guise</i><span style="font-family: 'Trebuchet MS', sans-serif; font-size: xx-small; text-align: start;"> (1908)</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;"><i> </i>Saint-Saëns had op dat moment al een rijke ervaring met het schrijven van dramatische muziek en hij lijkt een voor de handliggende keuze geweest te zijn. Van de componisten die later bekend zullen worden met hun filmmuziek zijn er heel wat die net zoals Saint-Saëns geschoold zijn in de Romantische Europese traditie (zowat alle componisten die in de jaren '30 Europa verlieten om carrière te maken in Hollywood). Toch zijn dit soort scores voor de jaren 20' tamelijk zeldzaam, enkele andere gekende zijn deze van Joseph Carl Breil voor D.W. Griffith's <i>Birth of a Nation</i> (1915), Manlio Mazzas score voor <i>Cabiria</i> (1914) en van rond dezelfde tijd als Saint-Saëns' score dateert Mikhail Ippolitov-Ivanovs muziek voor <i>Stenka Razin</i> (1908).</span><br />
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<span style="font-family: Trebuchet MS, sans-serif; font-size: x-large;"><b>"Gepaste" pianobegeleidingen</b></span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">In de vroegste periode (1895-1913) werden films meestal begeleid door een pianist, een klein ensemble, elektronische of mechanische instrumenten of een grammofoon of phonograaf (wat qua klankvolume en synchronisatie te wensen overliet). Men speelde wat op het moment het meest geschikte leek: een pastiche van herkenbare meezingbare) liederen zoals de op dat moment populaire "telefoonliederen" die gematched werden met films zoals "The Telephone" (1910) of improvisatie. Het resultaat was soms ware "jackass-muziek": een vrolijk deuntje bij een begrafenis scene, verschillende vormen van onbewuste asynchrone of "contrapunctische" muziek met een ridiculisering van de film in kwestie tot gevolg. </span><span style="font-family: 'Trebuchet MS', sans-serif;">Er bestaan zelfs spotprenten van pianisten die tijdens een filmvertoning een plaspauze nemen. Een film werd ook niet noodzakelijk begeleid tijdens de vertoning, maar soms ook ervoor of ertussen. Toch is het moeilijk om echt van stille film te speken, het publiek was vaak luidruchtig en soms werden er ook live geluidseffecten of dialogen verzorgd. Als je ooit <i>Monty Python and the Holy Grail </i>gezien hebt dan herinner je je zeker de scene met het paardengetrappel en de kokosnoten. Deze techniek werd al eerder op een ironische manier gebruikt door Harry McCoy in <i>The Moviestar</i> (1916) waar hij het live generen - en het som erbarmelijke resultaat - van allerlei geluiden (geweerschoten, indianenkreten, paardengetrappel met - jawel - kokosnoten) parodieërt. </span><br />
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<span style="font-family: Trebuchet MS, sans-serif; font-size: xx-small;">Harry McCoy als One Man Orchestra in <i>The Moviestar </i> (1916)</span><br />
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<span style="font-family: Trebuchet MS, sans-serif;">Om toch wat meer controle te krijgen over welke muziek er bij welke beelden gespeeld werden ontwikkelden een aantal productiehuizen catalogi. Het fragmentje hieronder komt uit het tweede volume van de Sam Fox Moving Picture Music Series: </span><br />
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<span style="font-size: xx-small;"><span style="font-family: Trebuchet MS, sans-serif;"><i>Indian War Dance</i> uit </span><span style="font-family: 'Trebuchet MS', sans-serif;">Sam Fox Moving Picture Music, Volume 2 (1913)</span></span><br />
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<span style="font-family: Trebuchet MS, sans-serif;">Voor de vier volumes schreef de door Dvo</span><span style="background-color: white; line-height: 19.1875px;"><span lang="EN-GB" style="font-family: "Trebuchet MS","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-GB; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">ř</span><span lang="EN-GB" style="font-family: "Trebuchet MS","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-GB; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">á</span></span><span style="font-family: Trebuchet MS, sans-serif;">k geschoolde J.S. Zamecnik bijna 100 "karakteristieke" pianostukjes met titels als "Hurry Music", "Cowboy Music", Mexican of Spanish Music", Oriental Veil Dance", ... die een culturele etniciteit, gebeurtenis of atmosphere op het scherm moesten onderstrepen. Indianen kregen steevast een bourdon-begeleiding met pentatonische muziek, stormen werd verklankt door twee snel gealterneerde noten in de bassen, etc. ... Vandaag komt dit soort "muzikale semiotiek" nogal simplistisch over, maar toch is het niet de enige collectie die verscheen. De eerste Americaanse bundel werd in 1909 door een zekere Gregg A. Frelinger gepubliceerd en draagt de titel <i>Motion Picture Music</i>: <i>Descriptive Music to Fit the Action, Character or Scene of Moving Pictures</i>. Bundels die daarna verschijnen hebben het zelfde doel: stukjes muziek bij de beelden plakken. Carl Fischers <i>Moving Picture Folio</i> (1912) maakt duidelijke waar deze muziek geklonken moet hebben: <i>Especially Designed for Moving Picture Theatres, Veaudeville Theatres</i>. Net zoals in deze collectie ging het in <i>Denison's Descriptive Music Book for Plays, Festivals, Pageants and Moving Pictures</i> over arrangementen (voor piano of een klein orkest) van populaire liedjes of bekende klassieke muziek. Tot in de jaren '20 (de hoogdagen voor de nieuw geschreven orkestrale scores) werden dit soort bundels gepubliceerd en gebruikt. Enerzijds waren er zogenaamde compilaties met reeds bestaande muziek. Max Winkler was niet de uitvinder van dit systeem maar oefende met zijn 'cue sheet' toch een grote invloed uit. Anderzijds bleven er bundels met grotendeels originele stukken muziek verschijnen. Een van de bekendste in dit genre is Ernö Rapée's <i>Motion Picture Moods for Pianist and Organists: A Rapid Reference Collection of Selected Pieces Adapted to 52 Moods and Situations </i>(1924). Daarnaast bundelde hij ook een compilatie van een grote hoeveelheid klassieke en romantische werken in zijn <i>Encyclopedia of Music for Movies</i> (1925). Per gemoedstoestand, sfeer of scene (bv. Agitato) worden stukken muziek gegroepeerd, </span><span style="font-family: 'Trebuchet MS', sans-serif;">gaande van muziek van vandaag lang vergeten componisten tot fragmenten van uit de muziek van Beethoven (</span><i style="font-family: 'Trebuchet MS', sans-serif;">Leonore Ouverture</i><span style="font-family: 'Trebuchet MS', sans-serif;">), Carl Maria Weber (</span><i style="font-family: 'Trebuchet MS', sans-serif;">Der Freischütz</i><span style="font-family: 'Trebuchet MS', sans-serif;">), Franz Schubert (</span><i style="font-family: 'Trebuchet MS', sans-serif;">Erlkönig</i><span style="font-family: 'Trebuchet MS', sans-serif;">), muziek van Mozart, Verdi, Saint Saens, Meyerbeer, Glinka, ...</span><br />
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<span style="font-family: 'Trebuchet MS', sans-serif;"><span style="font-size: x-large;"><b>Guiseppe Becce (1877-1973)</b></span></span><br />
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<span style="font-family: 'Trebuchet MS', sans-serif;">In deze <i>Encyclopedia </i>duiken o</span><span style="font-family: 'Trebuchet MS', sans-serif;">ok enkele namen uit de filmmuziek duiken op, waaronder Joseph Carl Breil en Guiseppe Becce. </span><span style="font-family: 'Trebuchet MS', sans-serif;">Deze van Italiaans afkomstige Duitser Guiseppe Becce stelde niet enkel een bundel met originele muziek voor film (of "photoplay music") samen <i>(</i>zijn <i>Kinothek</i> uit 1919-27), maar schreef ook scores voor de films van een aantal belangrijke Duitse cinéasten. Op zijn palmares staan onder andere <i>Das Kabinet des Dr. Caligari</i> (Robert Wiene, 1920), <i>Der müde Tod</i> (Fritz Lang, 1921), <i>Der letzte Mann</i> (Friedrich Wilhelm Murnau, 1924), <i>Geheimnisse einer Seele </i>(Georg Wilhelm Pabst, 1926) en na de introductie van het geluid zal hij veel zogeheten door Anrold Fanck gepionierde bergfilms van muziek voorzien (bv. Louis Trenckers <i>Der Berg Rufft </i>uit 1938 en Harald Reinls <i>Bergkristall</i> uit 1949) en zal hij muziek schrijven voor films van </span><span style="font-family: 'Trebuchet MS', sans-serif;">Leni Riefensthal, </span><span style="font-family: 'Trebuchet MS', sans-serif;">een cinéaste die vanwege haar succes met de nazi-propaganda film <i>Triumph des Willens</i> (1935) haar leven lang zowel gelauwerd als verguisd werd. Voor <i>Richard Wagner </i> (1913) schreef hij zijn eerste score. Aangezien het niet mogelijk was om Wagner's muziek van copyright te vrijwaren, schreef Becce de muziek. Niet alleen muzikaal had hij een verwantschap met Wagner. Vanwege de sterke fysionomische overeenkomsten tussen de twee speelde Becce ook nog eens de hoofdrol. </span><br />
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<span style="font-family: 'Trebuchet MS', sans-serif; font-size: xx-small;">Guiseppe Becce als Richard Wagner in de gelijknamige film uit 1913.</span><br />
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<span style="font-family: Trebuchet MS, sans-serif;">Of het nu gaat om de enkele zeldzame unieke scores, verzamelbundels met stukken filmmuziek of compilaties van reeds bestaande (klassieke of populaire )muziek; </span><br />
<span style="font-family: 'Trebuchet MS', sans-serif;">van aan het begin waren er sterke banden tussen de muziek- en de filmindustrie. In de laten jaren '20 zou dit zelfs uitmonden in een zogenaamde (en vaak betreurde) "theme-song craze", de hits van het moment die het begin van de film "sierden". </span><br />
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<span style="font-family: Trebuchet MS, sans-serif; font-size: x-large;"><b>Hoogdagen voor het orkest</b></span><br />
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<span style="font-family: Trebuchet MS, sans-serif;">Vanaf het midden van de jaren '10 tot bij het ontstaan van de geluidsfilm beleeft het orkest hoogdagen. De toenmalige movie palaces konden in tegenstelling tot vaudeville-theaters, kleinere filmhuizen en de vroegere nickelodeon's niet alleen een groot publiek laten plaatsnemen, maar ook een orkest. </span><br />
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<span style="font-family: Trebuchet MS, sans-serif; font-size: xx-small;">Capitol Cinema (Ottawa, 1920-1970) </span><br />
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<span style="font-family: Trebuchet MS, sans-serif;">Tot voor de jaren '20 weerklonken hier niet noodzakelijk de meest originele stukken muziek uit de orkestbak, maar men kreeg waar voor zijn geld: grootste klassieke en romantische muziek én een feature film. Op één avond kreeg je dus grootste historische verhalen, verschrikkelijke monsters, verfilmde theaterstukken of verfilmde werken uit de "klassieke" literatuur </span><span style="font-family: 'Trebuchet MS', sans-serif;">verfilmd, hand in hand met fragmenten uit de grootse opera en de orkestmuziek van onder andere Weber, Tchaïkovsky, Wagner, Beethoven en Schubert.</span><br />
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<b style="font-family: 'Trebuchet MS', sans-serif; font-size: xx-large;">Hoogdagen voor de stille film score</b><br />
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<span style="font-family: Trebuchet MS, sans-serif;">In deze droompaleizen was er dan logischer wijs ook geen plaats voor een pianist of het schrille en moeilijk synschroniseerbare geluid van de phonograaf of grammofoon. De jaren '20 moeten echt de hoogdagen geweest zijn van de groots opgezette stille filmbegeleiding. Een aantal klinkende titels en filmcomponisten geven je een idee: </span><br />
<span style="font-family: Trebuchet MS, sans-serif;"><i>Nosferatu</i> (1922, score: Hans Erdmann), <i>La Roue</i> (1923, score: Arthur Honneger), <i>The Thief of Bagdad</i> (1924, score: Mortimer Wilson), Edmund Meisels scores voor <i>Battleship Potemkin </i> (1925), <i>Berlin: Die Sinfonie der Grossstadt</i> (1927), </span><span style="font-family: Trebuchet MS, sans-serif;">Gottfried Huppertz' scores voor <i>Die Nibelungen: Siegfried </i>(1924) en <i>Metropolis </i>(1927), <i>The New Babylon</i> (1929, score: Dmitri Shostakovich) en de melodieën die Charlie Chaplin schreef voor<i> Modern Times </i>(1936). De laatste is een laatbloeier in het genre. Chaplin was grootgebracht in de music hall traditie, dus hij had affiniteit met muziek, de orkestraties en arrangementen liet hij over aan Alfred Newman en David Raksin. </span><span style="font-family: 'Trebuchet MS', sans-serif;">Ook voor de experimentele film (die in de jaren '20 eveneens hoogdagen beleefden) werden er scores gemaakt, denk aan de musique d'ameublement die Erik Satie (cameo) voor René Clairs </span><i style="font-family: 'Trebuchet MS', sans-serif;">Entr'acte</i><span style="font-family: 'Trebuchet MS', sans-serif;"> (1924) of </span><i style="font-family: 'Trebuchet MS', sans-serif;">Ballet Mechanique</i><span style="font-family: 'Trebuchet MS', sans-serif;"> (1924) met de uiterst dissonante klanken van het (muzikale) enfant terrible Georg Antheil. Doorheen de jaren kregen stille films nieuwe soundtracks van ondere andere Michael Nyman, Pink Floyd en Giorgio Morroder, The Cinematic Orchestra.</span><br />
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<span style="font-family: 'Trebuchet MS', sans-serif;">Vergelijk zelf maar eens: </span><br />
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<span style="font-family: Trebuchet MS, sans-serif;">Sergei Eisenstein moedigde het schrijven van nieuwe scores in ieder geval aan, het liet de film mee-evolueren met de tijd. </span><br />
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<span style="font-family: Trebuchet MS, sans-serif;">Voor sommige cinéfielen (vandaag nog) luidde de intrede van geluid het einde van de film als kunst in. Wegens technische problemen werden de visuele experimenten opzijgeschoven voor dialogen. Ook op muzikaal vlak krijgen we aanvankelijk een verarming. Vaak gaat het om het brengen van liedjes, en het omarmen van het "realisme" waar het geluidsdorstige publiek op zat te wachten. Het publiek uit de jaren '20 was vertrouwd met de radio en het succes van gesynchroniseerd geluid in de cinéma was dus verklaarbaar. Toch was er aanvankelijk maar een productiehuis (Warner Brothers) die de stap naar geluid aandurfden. Vaak wordt naar <i>The Jazz Singer</i> (1927) verwezen als de eerste geluidsfilm. Er was al geluid in cinéma, nog lang voor deze film (denk aan de kokosnoten en phonografen) maar de synchronisatie en het volume waren ontoereikend zodat het proces lang duurde. <i>Don Juan</i> uit 1926 was de eerste feature film die gebruik maakte van een gesynchroniseerde opname: een korte intro door Will Hays (de eerste directeur van de MPAA) en muziekfragmenten uitgevoerd door het het New York Philharmonic. Het was inderdaad <i>The Jazz Singer </i>die via hetzelfde system (Vitaphone, sound-on-disc) gesynchroniseerd stemgeluid in een feature film verwerkte. Al Jolson spreekt het publiek toe: "You ain't heard nothing" </span><br />
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<span style="font-family: Trebuchet MS, sans-serif; font-size: xx-small;"> Al Jolson spreekt het publiek toe en zingt "Toot toot tootsie" in The Jazz Singer (1927), de synchronisatie wordt bereikt door het Vitaphone-systeem. </span><br />
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<span style="font-family: Trebuchet MS, sans-serif;">De film bevat in feite maar een aantal gesynchroniseerde gesprekken en liederen, voor de rest sluit het nog aan bij de stille filmesthetiek (denk maar aan de intertitles). </span><br />
<span style="font-family: Trebuchet MS, sans-serif;">Daarna ging het snel, en werd ook het systeem dat tot voort kort in onze bioscoopzalen werd gebruikt geïntroduceerd: sound-on-film. </span><br />
<span style="font-family: Trebuchet MS, sans-serif;">Toch gingen niet alle regisseurs mee in de nieuwe esthetiek van de geluidsfilm. Heel wat Russische (Dziga Vertov in bv. <i>Enthouziasm</i>, Vsevolod Pudovkin, Sergei Eisenstein), Franse (René Clair in <i>Sous les toits de Paris </i>en <i>Les Millions</i>) en Duitse (Joseph von Sternbergh in <i>Der Blaue Engel</i> en Fritz Lang in <i>M</i> en <i>Das Testament der Dr. Mabuse </i>en Walter Ruttmann in <i>Melodie der Welt</i>) regisseurs gaven aan geluid (en muziek) in hun films een meer creatieve invulling. Ook in Engeland was Alfred Hitchcock meer geïnteresseerd in een filmisch/kunstzinnig gebruik van geluid dan puur vanwege het realisme, een vroeg voorbeeld: </span><br />
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<span style="font-family: 'Trebuchet MS', sans-serif; font-size: xx-small;">Blackmail (1929): Knife at Breakfast</span><br />
<span style="font-family: Trebuchet MS, sans-serif;"><br /></span><span style="font-family: Trebuchet MS, sans-serif;">Geluid kan eigenlijk zoveel betekenen in cinéma. Muziek kan geluid worden, en geluid kan muziek worden, we kunnen ons afvragen waar het geluid vandaan komt, we kunnen ons afvragen wat het geluid betekent. In cinéma kan muziek en geluid een heel eigene betekenis krijgen en dat maakt het tot iets ontzettend boeiend.</span><span style="font-family: Trebuchet MS, sans-serif;"><br /></span>
<span style="font-family: Trebuchet MS, sans-serif;"><br /><span style="font-size: x-large;"><b>Stille film vandaag</b></span><br /><br /><br />Toch blijft de stille cinéma vandaag nog boeien. Een van de experts vandaag is Carl Davies, hij dirigeerde heel wat filmmuziek uit de periode van de stille film en schreef ook een nieuwe score voor onder andere <i>Napoléon </i>(Abel Gance, 1927) en heel wat stille films van Charlie Chaplin. </span><br />
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<span style="font-family: Trebuchet MS, sans-serif;">In de Westkust van de Verenigde Staten kan je al bijna twintig jaar met je liefde voor stille film en haar muziek terecht op het <a href="http://www.silentfilm.org/" target="_blank">San Francisco Silent Film Festival</a>. Dit jaar gaat dit festival door van 18 tot 21 juli in het befaamde Castro Theatre. </span><br />
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<span style="font-family: 'Trebuchet MS', sans-serif;">Iets dichter bij huis op het<a href="http://www.cinetecadelfriuli.org/gcm/" target="_blank"> Perdenone Silent Film Festival</a> die dit jaar (van 5 tot 12 oktober) aan hun 32e editie toe zijn.</span><br />
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<span style="font-family: Trebuchet MS, sans-serif;">Nog dichter bij huis moet je zeker een een bezoekje brengen aan <a href="http://www.cinematek.be/" target="_blank">Cinematek</a> in Brussel. Ook het Brussels Philharmonic, het huisorkest van de World Soundtrack Awards op het jaarlijkse Film Festival in Gent, gaf op 29 maart in het Concertgebouw Brugge en op 30 maart in Flagey een ciné-concert met de originele muziek van Gottfried Huppertz en de in 2008 gerestaureerde beelden van Fritz Langs Metropolis. <a href="http://www.mixcloud.com/lumiere_radioscorpio/lumiere-20133103-hearing-is-believing-ivbrussels-philharmonicwslk-de-ontknoping-vi/" target="_blank">Hier</a> vind je onze reportage terug. Wij namen een kijkje op de repetities.</span><br />
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<span style="font-family: Trebuchet MS, sans-serif; font-size: xx-small;">Dirigent Ernst Van Tiel met de originele score van Gottfried Huppertz voor Metropolis</span><br />
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<span style="font-family: Trebuchet MS, sans-serif; font-size: xx-small;">Brussels Philharmonic tijdens een van de repetites voor het ciné-concert Metropolis </span></div>
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Lumièrehttp://www.blogger.com/profile/03760591998799509107noreply@blogger.com0tag:blogger.com,1999:blog-7371651641276952122.post-44771181074611721142013-03-23T05:15:00.002+01:002013-03-23T05:25:28.571+01:00Jazz is bad news<span style="font-family: Trebuchet MS, sans-serif;">In het kader van <a href="http://www.leuvenjazz.be/nl" target="_blank"><b>Leuven Jazz</b> </a>verplaatst Radio Scorpio zich drie dagen naar de Bib in Leuven, het resultaat is <b><a href="http://www.leuvenjazz.be/nl/event/radio-scorpio-hundred-and-jazz-fm-0" target="_blank">100 & JAZZ FM</a></b>: live- en dj-sets met jazz in de breedste zin. </span><br />
<span style="font-family: Trebuchet MS, sans-serif;">Lumière is alles behalve gespecialiseerd in jazz, maar waarom niet eens een blog over jazz in films? </span><br />
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<span style="font-family: Trebuchet MS, sans-serif;">Als we kijken naar de geschiedenis van jazz in films kom je gemakkelijk tot de conclusie "jazz is bad news". Drugs, criminaliteit, grootstedelijke verval, en ... jazz. </span><br />
<span style="font-family: Trebuchet MS, sans-serif;"> Laten we eens een korte vogelvlucht nemen. </span><br />
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<span style="font-family: Trebuchet MS, sans-serif;">Een van de eerste films die expliciet verwijst naar jazz in haar titel is <span style="background-color: #0b5394;"><i><b>The Jazz Singer</b> </i>(Alan Crosland, 1927)</span>. In de film hoor je voor het eerst<b> Al Jolson</b> mooi gesynchroniseerd met de beelden een aantal <b>zogenaamde jazz-liedjes</b> zingen, zoals bijvoorbeeld "Blue Skies" (Irving Berlin). Vaak wordt naar deze film verwezen als de eerste geluidsfilm, maar het gaat in wezen om maar een paar korte gesynchroniseerde scenes. Voor de rest zijn we aangewezen op intertitles. Wat je hoort is <b>eerder populaire muziek dan jazz</b>, luister en kijk maar eens: </span><br />
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<span style="font-family: Trebuchet MS, sans-serif;">Anderzijds zijn er tussen populaire muziek en jazz, zeker in de jaren '20, '30 en '40, sterke banden. </span><span style="font-family: Trebuchet MS, sans-serif;">George Gershwin basseerde zich voor zijn opera-musicals vaak op Afro-Amerikaanse muziek (<i>Porgy and Bess</i>, <i>Blue Moon</i>) of denk maar aan zijn <i>Rhapsody in Blue</i>. Dit soort muziek vondt zijn weg ook naar de cinema, door bijvoorbeeld een van de weinige autochtone filmcomponisten uit het eerste uur van de Gouden Eeuw van de filmmuziek: <b>Alfred Newman</b>. </span><span style="font-family: 'Trebuchet MS', sans-serif;">Hij leerde als musical-dirigent op Broadway de muziek van Geshwin goed kennen. Dat hoor je ook in zijn score voor <span style="background-color: #0b5394;"><i><b>Street Scene </b></i>(King Vidor, 1931)</span>, </span><i style="font-family: 'Trebuchet MS', sans-serif;">Rhapsody in Blue</i><span style="font-family: 'Trebuchet MS', sans-serif;"> maar op film zeg maar. </span><br />
<span style="font-family: Trebuchet MS, sans-serif;">Meer dan tien jaar later vinden we David Raskin's score van<span style="background-color: #0b5394;"> <i><b>Laura</b></i> (Otto Preminger, 1944) </span>terug. Onder het motto <b>"I Don't want it good, I want it on Monday"</b>, schreef Raskin een liefdesthema op een week de tijd. Oorspronkelijk wou regisseur Otto Preminger "Sophisticated Lady" van Duke Ellingston voor de sountrack gebruiken, maar Alfred Newman - op dat moment music director bij Fox - overtuigde Preminger ervan om Newman een kans te geven. En zo geschiedde: het liefdesthema dat Raskin schreef is de geschiedenis van de jazz ingegaan als een <b>standard</b>. Het zelfde geld voor heel wat latere scores. Denk hierbij maar aan <i>Days of Wine and Roses</i> (1962) met muziek van <b>Henry Mancini</b>.</span><br />
<span style="font-family: Trebuchet MS, sans-serif;">Zelfs in <b>Japan</b> vindt de jazz zijn weg naar het grote scherm. Een van de grondleggers van de Japanse filmmuziek, <b>Fumio Hayasaka</b> gebruikte de jazz om Amerika te parodieëren in zijn<b> </b><span style="background-color: #0b5394;"><i><b>Drunken Angel </b></i>(Akira Kurosawa, 1948)</span>. Een alcoholische dokter, prostituees en vooral een <b>gangsterfiguur</b> die zich niet alleen vestimentair aansluit bij zijn Amerikaanse soortgenoten, hij gedraagt zich ook als een Amerikaan: <a href="http://www.youtube.com/watch?v=gwqzBTTn-Uo&feature=endscreen&NR=1" target="_blank">http://www.youtube.com/watch?v=gwqzBTTn-Uo&feature=endscreen&NR=1</a>. </span><br />
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<span style="font-family: Trebuchet MS, sans-serif;"><span style="background-color: #444444;">In de jaren 50 beginnen de eerste "echte" jazz scores op te duiken in Hollywood. <b>Alex North</b>'s score voor </span><span style="background-color: #0b5394;"><i><b>A Streetcar Named Desire </b></i>(Elia Kazan, 1951)</span><span style="background-color: #444444;"> wordt vaak aangeduid als de eerste in het rijtje waar ook<b> Elmer Bernstein</b>'s scores voor </span><span style="background-color: #0b5394;"><i><b>The Man with the Golden Arm</b></i> (Otto Preminger, 1951)</span><span style="background-color: #444444;"> en </span><i><b><span style="background-color: #0b5394;">Sweet Smell of Succes</span></b></i><span style="background-color: #0b5394;"> (1957)</span><span style="background-color: #444444;">. Het plaatje dat in deze films geschept wordt is - net zoals in <i>Drunken Angel</i> - niet bepaald mooi:<b> drugs</b> (marihuana, heroïne), <b>verkrachting</b>, <b>criminaliteit, ... </b>. Ouders die hun kinderen niet naar de (groot)stad durven sturen hebben misschien wel een trauma opgelopen aan deze films. En je zou voor minder, Frank Sinatra aan de heroïne: </span></span><br />
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</span><span style="font-family: Trebuchet MS, sans-serif;"><span style="background-color: #444444;">Ook <b>Henry Mancini</b> behoorde tot de groep filmcomponisten die braken met de overdreven dramatische scores van hun voorgangers uit de jaren '30 en '40. De thematiek van </span><span style="background-color: #0b5394;"><b><i>The Pink Panther</i> </b>(1963)</span><span style="background-color: #444444;"> is beduidend lichter, maar de criminaliteit roept weer om een jazzy score.</span></span><span style="background-color: #444444; font-family: 'Trebuchet MS', sans-serif;">Iedereen kent natuurlijk de muziek die Mancini voor deze film schreef. Gelukkig schreef Mancini ook muziek voor zwaarwichtigere criminele films, zoals zijn score voor de film noir</span><span style="font-family: 'Trebuchet MS', sans-serif;"><span style="background-color: #444444;"> </span><i style="background-color: #0b5394;"><b>Touch of Evil</b></i><span style="background-color: #0b5394;"> (Orson Welles, 1958)</span><span style="background-color: #444444;">. Geen roze panter, maar moord, ontvoering en corruptie (oef!). </span></span><br />
<span style="font-family: Trebuchet MS, sans-serif;"><span style="background-color: #444444;">Ook B<b>ernard Herrmann</b> - bekend van zijn samenwerkingen met Hitchcock - heeft de combinatie jazz, hoertjes, drank, drugs, criminaliteit en grootstedelijk verval goed begrepen. Met </span><span style="background-color: #0b5394;"><i><b>Taxi Driver</b> </i>(Martin Scorcese, 1976)</span><span style="background-color: #444444;"> schrijft hij zijn laatste score en schept hij een muzikaal portret van het nachtelijke leven in New York: hoertjes, drank, ...</span></span><br />
<span style="background-color: #444444;"><span style="font-family: Trebuchet MS, sans-serif;"><br /></span>
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</span><span style="font-family: Trebuchet MS, sans-serif;"><span style="background-color: #444444;">Ook in de<b> Franse nouvelle vague cinéma</b> is de combinatie stad, criminaliteit en jazz een "match made in heaven". <b>Jean-Luc Godard</b>'s </span><span style="background-color: #0b5394;"><i><b>À bout de souffle</b></i> (1961)</span><span style="background-color: #444444;"> schetst een iets ander soort crimineel, maar het is toch weer maar een crimineel. <b>Martial Solal</b> schreef de muziek die <b>Jean Belmondo</b> begeleid in zijn chaotische parcours. </span></span><br />
<span style="font-family: Trebuchet MS, sans-serif;"><span style="background-color: #444444;">Hoewel de plot in</span><span style="background-color: #0b5394;"> <i><b>L'ascenseur à l'echefaud</b> </i>(Louis Malle, 1958)</span><span style="background-color: #444444;"> zich ontspint vanuit een mislukte overal, is het niet alleen criminaliteit, grootstad, ... + jazz. De algemene toon van de muziek (veel meer <i>cool </i>dan <i>hot</i>) heeft iets klagelijk, neem nu bijvoorbeeld deze iconisch geworden scene: </span></span><br />
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<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/saG7EELIfMM?feature=player_embedded' frameborder='0'></iframe><span style="font-family: Trebuchet MS, sans-serif;"><br /></span>
<span style="font-family: Trebuchet MS, sans-serif;"><br /><br />Niet alleen is de toon van de score anders, ze kwam ook op een een heel andere manier tot stand. </span><span style="font-family: 'Trebuchet MS', sans-serif;">In plaats van te stressen om deadlines zoals in de Hollywood-studios gebruikelijk is (Hollywood-veteraan Max Steiner nam Benzendrine tijdens het schrijven van <i>Gone with the Wind </i> om wakker te blijven en Alex North werd naar het ziekenhuis gebracht tijdens het schrijven van zijn score voor </span><i style="font-family: 'Trebuchet MS', sans-serif;">2001: A Space Oddysey</i><span style="font-family: 'Trebuchet MS', sans-serif;">), improviseerde <b>Miles Davis</b> de muziek en dat maakt het eigenlijk een jazz-score <i>pur sang</i>.</span><br />
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<span style="font-family: 'Trebuchet MS', sans-serif;">Alles samen genomen betekent jazz dus slechts nieuws? De laatste jaren zijn er gelukkig ook een aantal films die jazz niet noodzakelijk in een negatief daglicht stellen. <i><b><span style="background-color: #0b5394;">Mo' Better Blues</span></b></i><span style="background-color: #0b5394;"> (Spike Lee, 1990)</span> toont de jazz-muzikant eigenlijk eerder een held dan een nozem of druggebruiker persé. Deze filmt leert ons dat - in tegenstelling tot het beeld dat lang geschapen werd in Hollywood - dat niet elke zwarte een pooier, hoer, crimineel, drugsverslaafde, verkrachter, ... is. De impuls die <i>Birth of a Nation </i> (D.W. Griffith) gaf in 1915 krijgt dus weerwerk. </span><span style="font-family: 'Trebuchet MS', sans-serif;">Met </span><span style="background-color: #0b5394; font-family: 'Trebuchet MS', sans-serif;"><i><b>Howl</b></i> (2010)</span><span style="font-family: 'Trebuchet MS', sans-serif;"> schetst </span><i style="font-family: 'Trebuchet MS', sans-serif;">Roy Epstein</i><span style="font-family: 'Trebuchet MS', sans-serif;"> niet het beeld van een pervert, maar eerder van een </span><b style="font-family: 'Trebuchet MS', sans-serif;">kunstenaar die onterecht veroordeeld</b><span style="font-family: 'Trebuchet MS', sans-serif;"> wordt door kleinburgerlijke puriteinen </span><i style="font-family: 'Trebuchet MS', sans-serif;">après la lettre. </i><span style="font-family: 'Trebuchet MS', sans-serif;">Ook wij belgen hebben onze bijdrage geleverd aan de geschiedenis van jazzy soundtracks. In 2011</span><i style="font-family: 'Trebuchet MS', sans-serif;"> </i><span style="font-family: 'Trebuchet MS', sans-serif;">ging </span><span style="background-color: #0b5394; font-family: 'Trebuchet MS', sans-serif;"><i><b>The Artist</b></i> (Michel Hazanvicius, 2011)</span><span style="background-color: white; font-family: 'Trebuchet MS', sans-serif;"> </span><span style="font-family: 'Trebuchet MS', sans-serif;">in de zalen en Ludovic Bource's score werd opgenomen door het Brussels Philharmonic. Het personage George Valentin (gespeeld door Jean Dujardin) mag dan koppig en verwaand zijn en zijn zorgen verdrinken ... maar het is geen verslaafde, ook geen hoer, en ook geen crimineel. </span><br />
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<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/lgy-4tSX1HU?feature=player_embedded' frameborder='0'></iframe>Lumièrehttp://www.blogger.com/profile/03760591998799509107noreply@blogger.com0tag:blogger.com,1999:blog-7371651641276952122.post-15173752865751040962013-03-18T22:45:00.000+01:002013-04-06T19:02:39.353+02:00Een jaar vol filmmuziek! <br />
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<span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 13.5pt;">Onze
filmcomponistenverjaardagskalender is af! Maar, zoiets is nooit af. Dus heb je
suggesties, mail ze dan naar lumiere.radioscorpio@gmail.com. </span><span style="font-family: 'Trebuchet MS', sans-serif; font-size: 13.5pt;"><o:p></o:p></span></div>
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<span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 13.5pt;">Neem al
vast een kijkje. </span><span style="font-family: 'Trebuchet MS', sans-serif; font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 22.0pt; font-variant: small-caps; mso-ansi-language: EN-GB;">Januari </span></b><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;">3</span></b><span class="apple-converted-space"><b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 13.5pt;"> </span></b></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">George
Martin (°1926)</span><i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;"> A Hard Day's Night</span></i><span class="apple-converted-space"><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;"> </span></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">(1964)</span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif";"> <o:p></o:p></span></div>
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<b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;">3</span></b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif";"> </span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Maurice Jaubert (1900
– 16 juni, 1940)</span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif";"> </span><i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">Zéro de conduite</span></i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;"> (1933) </span><span style="font-size: 8pt;"><o:p></o:p></span></div>
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<b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;">4</span></b><span class="apple-converted-space"><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;"> </span></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Lionel
Newman (1916 – 3 februari, 1989)</span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif";"> </span><o:p></o:p></div>
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<b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;">6</span></b><span class="apple-converted-space"><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 13.5pt;"> </span></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">A. R
Rahman (°1966) </span><i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">Lagaan</span></i><span class="apple-converted-space"><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;"> </span></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">(2001),<span class="apple-converted-space"> </span><i>Vinniaithaandi Varuvayaa</i><span class="apple-converted-space"> </span>(2010),<span class="apple-converted-space"><i> </i></span><i>Slumdog Millionaire</i><span class="apple-converted-space"> </span> (2008)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;">6</span></b><span class="apple-converted-space"><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;"> </span></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Aaron
Zigman</span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif";"> </span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">(°1963) <span class="apple-converted-space"> </span></span><i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">Sex and the City: The Movie</span></i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;"> (2008)</span><span style="font-size: 8pt;"><o:p></o:p></span></div>
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<b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;">7</span></b><span class="apple-converted-space"><b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif";"> </span></b></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Clint
Mansell<span class="apple-converted-space"> </span>(°1963)
</span><i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">Pi<span class="apple-converted-space"> </span></span></i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">(1998),<span class="apple-converted-space"> </span><i>Requiem
for a Dream</i><span class="apple-converted-space"> </span>(2000),<i>The
Fountain<span class="apple-converted-space"> </span></i>(2006),<span class="apple-converted-space"> </span><i>Black Swan<span class="apple-converted-space"> </span></i>(2010)<o:p></o:p></span></div>
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<b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;">12</span></b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;"> </span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Wolfgang Zeller (1896 – 11 januari, 1967)</span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;"> <i>Melodie der Welt</i>
(1928), <i>Jud Süss </i>(1940)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<em><b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; font-style: normal;">13</span></b></em><span class="apple-converted-space"><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;"> </span></span><em><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; font-style: normal;">Bruno Coulais</span></em><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;"> (°1954)
<span class="apple-converted-space"> </span></span><i><span style="background: darkcyan; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-highlight: darkcyan; mso-shading: black;">Les Choristes<span class="apple-converted-space"> </span></span></i><span style="background: darkcyan; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-highlight: darkcyan; mso-shading: black;"> (2004)</span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;"> </span><span style="font-size: 8pt;"><o:p></o:p></span></div>
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<b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;">14</span></b><span class="apple-converted-space"><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;"> </span></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Hans J.
Salter (1896 – 23 juli, 1994) </span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;">16</span></b><span class="apple-converted-space"><b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;"> </span></b></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Atticus
Ross</span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif";"> </span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">(°1968)<span class="apple-converted-space"> </span></span><i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">The Social Network<span class="apple-converted-space"> </span></span></i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">(2010),<span class="apple-converted-space"> </span><i>The
Girl with the Dragon Tattoo<span class="apple-converted-space"> </span></i>(2011)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;">17</span></b><span class="apple-converted-space"><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;"> </span></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Ryuichi
Sakamoto (°1952) <span class="apple-converted-space"> </span></span><i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">The
Last Emperor<span class="apple-converted-space"> </span></span></i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">(1987)</span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;"> </span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;">23</span></b><span class="apple-converted-space"><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;"> </span></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">David
Arnold (°1962)
</span><i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">Independence
Day<span class="apple-converted-space"> </span></span></i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">(1996),<span class="apple-converted-space"> </span><i>Tomorrow
Never Dies </i>(1997), <i> Godzilla </i>(1998), <i>Shaft </i> (2000), <i> Die
Another Day</i> (2002)</span><span style="font-size: 8pt;"><o:p></o:p></span></div>
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<b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;">26</span></b><span class="apple-converted-space"><b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;"> </span></b></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Kenneth
Thorne (°1925)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;">26</span></b><span class="apple-converted-space"><b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;"> </span></b></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Hugo
Riesenfeld (1879 – 10 september, 1939</span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">) <i>The
Ten Commandments<span class="apple-converted-space"> </span></i>(1923), <i>Sunrise</i> (1927)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;">28</span></b><span class="apple-converted-space"><b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;"> </span></b></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Luis
de Pablo (°1930) <span class="apple-converted-space"> </span></span><i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">La caza<span class="apple-converted-space"> </span></span></i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">(1965),<span class="apple-converted-space"> </span><i>Peppermint
Frappé<span class="apple-converted-space"> </span></i>(1967), <span class="apple-converted-space"> </span><i>La madriguera<span class="apple-converted-space"> </span></i>(1969),<span class="apple-converted-space"> </span><i>El jardín de las delicias<span class="apple-converted-space"> </span></i>(1970)</span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;"> <span class="apple-converted-space"><i> </i></span><i> </i>
</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;">30</span></b><span class="apple-converted-space"><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;"> </span></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Steve
Bartek (°1952)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">31</span></b><span class="apple-converted-space"><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">Philip Glass (</span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">°</span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">1937</span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;">)<span class="apple-converted-space"> </span><i>Koyaanisqatsi</i><span class="apple-converted-space"> </span>(1982),<span class="apple-converted-space"> </span>),<i>
Powaqqatsi </i>(1988),<i> The Truman Show </i>(1997) <i><span style="background: darkcyan; mso-highlight: darkcyan;">Dracula<span class="apple-converted-space"> </span></span></i><span style="background: darkcyan; mso-highlight: darkcyan;">(1931/1999)</span>,<span class="apple-converted-space"> </span><i>The Hours<span class="apple-converted-space"> </span></i>(2002),<span class="apple-converted-space"> </span><i>Naqoyqatsi</i><span class="apple-converted-space"> </span>(2002), <i>The Illusionist</i> (2006)</span><span style="font-size: 8pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 22.0pt; font-variant: small-caps; mso-ansi-language: EN-GB;">Februari</span></b><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">3<span class="apple-converted-space"> </span></span></b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">Giuseppe Becce (1877 – 5
oktober, 1973) </span><i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;">Richard Wagner<span class="apple-converted-space"> </span></span></i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;">(1913),<span class="apple-converted-space"> </span><i><span style="background: darkcyan; mso-highlight: darkcyan;">Das Kabinet des dr. Caligari<span class="apple-converted-space"> </span></span></i><span style="background: darkcyan; mso-highlight: darkcyan;">(1920)</span>, <i><span style="background: teal; mso-highlight: teal;">Der müde Tod</span></i><span style="background: teal; mso-highlight: teal;"> (1921)</span>, <span style="background: teal; mso-highlight: teal;">Der letzte Mann (1924)</span><span style="background-position: initial initial; background-repeat: initial initial;">,</span> Geheimnisse einer Seele
(1926),<span class="apple-converted-space"> </span><i>Skandal um Eva<span class="apple-converted-space"> </span></i>(1930), <i>Das Blaue Licht</i> (1932), <i>Der
Berg Ruft</i> (1938)</span><span style="font-size: 8pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">4</span></b><span class="apple-converted-space"><b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 14.0pt; mso-ansi-language: EN-GB;"> </span></b></span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">Don Davis (</span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">°</span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">1957) </span><i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;">The </span></i><i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">Matrix </span></i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">(1999), </span><i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;">The </span></i><i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">Matrix Reloaded </span></i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">(2003), </span><i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;">The </span></i><i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">Matrix Revolutions </span></i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">(2003)</span><span style="font-size: 8pt;"><o:p></o:p></span></div>
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<b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;">5</span></b><span class="apple-converted-space"><b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 14.0pt;"> </span></b></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Bronislaw
Kaper (1902 –26 april, 1983) </span><i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">Green Dolphin Street</span></i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;"> (1947)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">8</span></b><span class="apple-converted-space"><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 14.0pt; mso-ansi-language: EN-GB;"> </span></span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">John Williams (</span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">°</span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">1932) </span><i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;">Images </span></i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;">(1972), <i><span style="background: teal; mso-highlight: teal;">Jaws</span></i><span style="background: teal; mso-highlight: teal;"> (1975)</span>, <i>Star Wars </i>(6 films:1977-1983/1999-2005), <i>Close Encounters of the Third Kind</i> (1977), <i>Raiders of the Lost Ark </i>(1981), <i>E.T.</i>
(1982), <i>Indiana Jones and the Temple of
Doom</i> (1984), <i>Empire of the Sun </i>(1987),
<i>JFK </i>(1991<span style="background: teal; mso-highlight: teal;">), <i>Schindler’s List</i> (1993)</span>, <i>Jurassic Parc</i> (1993), <i>Nixon </i>(1995), <i>Saving Private Ryan </i>(1998), <i>Angela’s
Ashes</i> (1999),<i> A.I. </i>(2001), <i>Harry Potter and the Sorcerer’s Stone </i>(2001)<i>, Harry Potter and the Chamber of Secrets</i>
(2002), <i>Harry Potter and the Prisoner of
Azkaban</i> (2004), </span><span style="font-size: 8pt;"><o:p></o:p></span></div>
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<b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;">10</span></b><span class="apple-converted-space"><b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;"> </span></b></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Larry <span class="apple-converted-space"> </span>Adler (1914– 6 augustus,
2001) </span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">10</span></b><span class="apple-converted-space"><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 14.0pt; mso-ansi-language: EN-GB;"> </span></span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">Jerry Goldsmith (1929 – 21 juli, 2004) </span><i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;"> <span style="background: darkcyan; mso-highlight: darkcyan;">Planet of the Apes</span></span></i><span lang="EN-GB" style="background: darkcyan; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB; mso-highlight: darkcyan; mso-shading: black;"> (1968)</span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;">, <i>Mephisto Waltz
</i>(1971<span style="background: teal; mso-highlight: teal;">), <i>The Omen </i>(1976)</span>, <i>Alien </i>(1979), <i>Star Trek </i>(5 films: 1979-2002)</span><span style="font-size: 8pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">13</span></b><span class="apple-converted-space"><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; mso-ansi-language: EN-GB;"> </span></span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">Gerald Fried (</span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">°</span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">1928) </span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">13<span class="apple-converted-space"> </span></span></b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">Peter Gabriel (</span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">°</span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">1950) </span><i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;">The Last Temptation of Christ</span></i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;"> (1988), <i>Birdy</i> (1984), <i>Rabbit-Proof Fence</i> (2002) </span><span style="font-size: 8.0pt;"><o:p></o:p></span></div>
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<b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;">14</span></b><span class="apple-converted-space"><b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif";"> </span></b></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Leonard
Hayton (1908 – 24 april, 1971)</span><o:p></o:p></div>
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<b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;">14</span></b><span class="apple-converted-space"><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;"> </span></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Werner
Heymann (1896 – 30 mei, 1961) </span><o:p></o:p></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">15<span class="apple-converted-space"> </span></span></b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">John Adams (</span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">°</span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">1947 ) </span><i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;">An American Tapestry</span></i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;"> (2000)</span><o:p></o:p></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">16</span></b><span class="apple-converted-space"><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;"> </span></span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">John Corigliano (</span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">°</span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">1938) </span><i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;">Altered States</span></i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;"> (1980), <i>The Red Violin</i> (1998)</span><i><o:p></o:p></i></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">18</span></b><span class="apple-converted-space"><b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 14.0pt; mso-ansi-language: EN-GB;"> </span></b></span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">Dirk Brossé (</span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">°</span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">1960) </span><i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;">Koko Flanel </span></i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;">(1990), <i><span style="background: darkcyan; mso-highlight: darkcyan;">Daens</span></i><span style="background: darkcyan; mso-highlight: darkcyan;">
(1993)</span>, <i> Marie</i> (1993), <i> Licht</i> (1998), <i> Knetter</i> (2005)</span><span style="font-size: 8pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">24</span></b><span class="apple-converted-space"><b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; mso-ansi-language: EN-GB;"> </span></b></span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">Fred Steiner (1923 – 23
juni, 2011</span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; mso-ansi-language: EN-GB;">)</span><o:p></o:p></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">24</span></b><span class="apple-converted-space"><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; mso-ansi-language: EN-GB;"> </span></span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">Michel Legrand (</span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">°</span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">1932) </span><i><span lang="EN-GB" style="background: darkcyan; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB; mso-highlight: darkcyan; mso-shading: black;">Une femme est une femme </span></i><span lang="EN-GB" style="background: darkcyan; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB; mso-highlight: darkcyan; mso-shading: black;"> (1960)</span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;">, <i><span style="background: darkcyan; mso-highlight: darkcyan;">Vivre sa vie </span></i><span style="background: darkcyan; mso-highlight: darkcyan;"> (1962)</span>, <i><span style="background: darkcyan; mso-highlight: darkcyan;">Bande à part </span></i><span style="background: darkcyan; mso-highlight: darkcyan;"> (1964)</span>, <i><span style="background: darkcyan; mso-highlight: darkcyan;">Summer of ’42</span></i><span style="background: darkcyan; mso-highlight: darkcyan;"> (1971)</span>, <i>Lady Sings the Blues </i> (1972), <i>F
for fake </i> (1974), Dingo <i> (1991)</i></span><i><span style="font-size: 8pt;"><o:p></o:p></span></i></div>
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<b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;">28</span></b><span class="apple-converted-space"><b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;"> </span></b></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Charles
Bernstein (°1943)</span><o:p></o:p></div>
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<b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;">28</span></b><span class="apple-converted-space"><b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;"> </span></b></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Edward
Shearmur (°1966)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 22.0pt; font-variant: small-caps; mso-ansi-language: EN-GB;">Maart</span></b><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">1</span></b><span class="apple-converted-space"><b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 14.0pt; mso-ansi-language: EN-GB;"> </span></b></span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">Leo Brouwer (</span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">°</span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">1939) </span><i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;">Historias de la revolución</span></i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;"> (1960), <i>Un día de noviembre</i> (1976)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">2</span></b><span class="apple-converted-space"><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 14.0pt; mso-ansi-language: EN-GB;"> </span></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Kurt
Weill (1900 – 3 april, 1950</span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">) </span><i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;">You and Me </span></i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;"> (1938), <i> Where Do We Go From Here? </i> (1945)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">9</span></b><span class="apple-converted-space"><b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 14.0pt; mso-ansi-language: EN-GB;"> </span></b></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Mark
Mancina (°1957)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">10</span></b><span class="apple-converted-space"><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Arthur
Honegger (1892 – 27 november, 1955) </span><i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;">Napoléon </span></i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;"> (1927)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">11</span></b><span class="apple-converted-space"><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Gottfried Huppertz (1887
- 7 februari, 1937) </span><i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;">Die Nibelungen: Siegfried
</span></i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;"> (1924), <i>Die
Nibelungen: Kriemhilds Rache </i> (1924),
<i><span style="background: darkcyan; mso-highlight: darkcyan;">Metropolis </span></i><span style="background: darkcyan; mso-highlight: darkcyan;"> (1927)</span>, <i>Zur Chronik von Grieshuus </i> (1925)</span><span style="font-size: 8pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">11</span></b><span class="apple-converted-space"><b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 14.0pt; mso-ansi-language: EN-GB;"> </span></b></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">David
Newman (°1954) </span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">12</span></b><span class="apple-converted-space"><b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 14.0pt; mso-ansi-language: EN-GB;"> </span></b></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Georges Delerue (1925
– 20 maart, 1992) </span><i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">Tirez sur le pianiste
</span></i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">(1960),</span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;"> </span><i><span style="background: darkcyan; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-highlight: darkcyan; mso-shading: black;">Jules et Jim</span></i><span style="background: darkcyan; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-highlight: darkcyan; mso-shading: black;">(1962)</span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">, <i><span style="background: darkcyan; mso-highlight: darkcyan;">Le Mépris</span></i><span style="background: darkcyan; mso-highlight: darkcyan;"> (1963)</span>, <i>La peau douce </i>(1964),
<i>A Man for All Seasons </i>(1966), <i>Women in </i>Love (1969), La<i> nuit américaine </i>(1973), <i>A Little Romance</i>(1980), <i>Le dernier </i>metro (1980), Platoon (1986)<i>, </i></span><i><span style="font-size: 13.5pt;"><o:p></o:p></span></i></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">13</span></b><span class="apple-converted-space"><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Terence
Blanchard (°1962) </span><i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">Jungle Fever </span></i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">(1991), <i>Malcolm X</i> (1992), <i>Sugar Hill </i>(1994), <i>Bamboozled</i>
(2000)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">14</span></b><span class="apple-converted-space"><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">Quincy Jones (</span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">°</span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">1933)<i> </i></span><i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;">In Cold Blood</span></i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;"> (1967), <i>The Pawnbroker</i> (1964), <i>The Italian Job </i> (1969), <i>Bob
& Carol & Red & Alice</i> (1969), <i>The Color Purple</i> (1985)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">16<span class="apple-converted-space"> </span></span></b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">J</span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">ohn Addison (1920 – 7 december, 1998) </span><i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">Tom Jones </span></i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;"> (1963), <i>A Bridge Too Far </i> (1977) </span><span style="font-size: 8pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">17</span></b><span class="apple-converted-space"><b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></b></span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">Alfred Newman (1901 – 17 februari,
1970) </span><i><span lang="EN-GB" style="background: darkcyan; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB; mso-highlight: darkcyan; mso-shading: black;">Street Scene </span></i><span lang="EN-GB" style="background: darkcyan; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB; mso-highlight: darkcyan; mso-shading: black;"> (1931</span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;">), <i><span style="background: darkcyan; mso-highlight: darkcyan;">Wuthering
Heights </span></i><span style="background: darkcyan; mso-highlight: darkcyan;"> (1939)</span>, <i>The Hunckback of the Notre Dame </i>(1939), <i>The Song of Bernadette </i> (1943), <i>All
About Eve</i> (1950), <i>The Robe</i>
(1953), <i>How the West was Won </i> (1962), <i>The
Greatest Story Ever Told </i> (1965)</span><o:p></o:p></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">20</span></b><span class="apple-converted-space"><b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></b></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">John
Cameron (°1944) </span><i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">To End All Wars </span></i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;"> (2001)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">22</span></b><span class="apple-converted-space"><b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 14.0pt; mso-ansi-language: EN-GB;"> </span></b></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Stephen
Sondheim (°1930) </span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">22</span></b><span class="apple-converted-space"><b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></b></span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">Goran Bregović (</span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">°</span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">1950) </span><i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;">Time of the Gypsies</span></i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;"> (1988), <i>Arizona Dream </i> (1993), <i> Il goirni dell’abbandono </i>(2005), <i>Mustafa </i>(2008)</span><i><span style="font-size: 13.5pt;"><o:p></o:p></span></i></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">22</span></b><span class="apple-converted-space"><b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></b></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Angelo
Badalamenti (°1937) </span><i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">Blue Velvet</span></i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;"> (1998), <i>Twin Peaks: Fire Walk with Me</i> (1991), <i>Lost Highway</i> (1997), <i>The Beach </i>(2000), <i>Mullhulland Drive </i>(2001), <i>Cabin
Fever</i> (2002), <i>Un long dimanche de
fiançailles</i> (2004), <i>A Late Quartet</i>
(2012)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">23</span></b><span class="apple-converted-space"><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;"> </span></span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">Michael Nyman (</span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">°</span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">1944) </span><i><span lang="EN-GB" style="background: darkcyan; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB; mso-highlight: darkcyan; mso-shading: black;">The Draughtman’s Contract </span></i><span lang="EN-GB" style="background: darkcyan; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB; mso-highlight: darkcyan; mso-shading: black;">(1982)</span><i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;">, A Zed and Two Noughts</span></i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;"> (1985)<i>, Drowning By Numbers </i>(1988)<i>, The Cook, the Thief, His Wife & Her
Lover</i> (1989)<i>, <span style="background: darkcyan; mso-highlight: darkcyan;">Prospero’s Books </span></i><span style="background: darkcyan; mso-highlight: darkcyan;">(1991)</span>,<i> <span style="background: darkcyan; mso-highlight: darkcyan;">The Piano </span></i><span style="background: darkcyan; mso-highlight: darkcyan;"> (1993)<i>,</i></span><i> Man With A Movie Camera </i> (1929/2002)</span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
<div style="margin-bottom: .0001pt; margin: 0cm;">
<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">23</span></b><span class="apple-converted-space"><b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></b></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Trevor
Jones (°1949) </span><i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">Time Bandits</span></i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;"> (1981), <i>Excalibur</i> (1981), <b><i><span style="background: darkcyan; mso-highlight: darkcyan;">The Dark Crystal</span></i><span style="background: darkcyan; mso-highlight: darkcyan;"> (1982</span></b><span style="background: darkcyan; mso-highlight: darkcyan;">),</span> <i>Runaway Train </i>(1985), <i> Labyrinth</i> (1986), <i> Richard III</i> (1995), <i>G.I. Jane</i> (1997), <i>From Hell</i> (2001)</span><o:p></o:p></div>
<div style="margin-bottom: .0001pt; margin: 0cm;">
<b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;">29</span></b><span class="apple-converted-space"><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;"> </span></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Richard
Rodney Bennett<span class="apple-converted-space"> </span>(1936 – 24
december, 2012) </span><i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">Nicholas and Alexandra </span></i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">(1971),
<i>Murder on the Orient Express </i>(1974), <i>Four Weddings and a Funeral </i> (1994)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">29</span></b><span class="apple-converted-space"><b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></b></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Vangelis (°1943) </span><i><span lang="EN-GB" style="background: darkcyan; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB; mso-highlight: darkcyan; mso-shading: black;">Charriots of Fire </span></i><span lang="EN-GB" style="background: darkcyan; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB; mso-highlight: darkcyan; mso-shading: black;"> (1981), <i>Blade Runner </i> (1982</span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;">), <i>Nankyoku Monogatari </i> (1983), <i> The
Bounty </i> (1984), <i><span style="background: darkcyan; mso-highlight: darkcyan;">1492: Conquest
of Paradise </span></i><span style="background: darkcyan; mso-highlight: darkcyan;"> (1992)</span></span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;">29</span></b><span class="apple-converted-space"><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 14.0pt;"> </span></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">William
Walton (1902 – 8 maart, 1983) </span><i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">The First of the Few </span></i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;"> (1942), <i><span style="background: darkcyan; mso-highlight: darkcyan;">Henry V </span></i><span style="background: darkcyan; mso-highlight: darkcyan;">(1944)</span><i>, Hamlet </i>(1948),
<i> Richard
III </i>(1955)</span><span style="font-size: 8pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">30</span></b><span class="apple-converted-space"><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 14.0pt; mso-ansi-language: EN-GB;"> </span></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Luis
Bacalov (°1933) </span><i><span style="background: darkcyan; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-highlight: darkcyan; mso-shading: black;">Django </span></i><span style="background: darkcyan; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-highlight: darkcyan; mso-shading: black;">(1966)</span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">, <i><span style="background: darkcyan; mso-highlight: darkcyan;">Il Postino</span></i><span style="background: darkcyan; mso-highlight: darkcyan;"> (1994)</span>, <i> Milonga</i> (1999)</span><span style="font-size: 8pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">31</span></b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;"> Alejandro
Amenábar (°1972)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 22.0pt; font-variant: small-caps; mso-ansi-language: EN-GB;">April</span></b><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">4</span></b><span class="apple-converted-space"><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">Elmer Bernstein (1922 – 18 augustus, 2004) </span><i><span lang="EN-GB" style="background: darkcyan; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB; mso-highlight: darkcyan; mso-shading: black;">The Man with the Golden Arm </span></i><span lang="EN-GB" style="background: darkcyan; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB; mso-highlight: darkcyan; mso-shading: black;"> (1955),</span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;"> <i>The Ten Commandments </i> (1956),
<i> The Magnificent Seven </i>(1960), <i>The Comancheros </i> (1961), <i> <span style="background: darkcyan; mso-highlight: darkcyan;">To Kill a Mockingbird </span></i><span style="background: darkcyan; mso-highlight: darkcyan;"> (1962),</span> <i>The Great Escape </i>(1963), <i>Ghostbusters </i> (1984), <i>Three
Amigos</i> (1986), <i><s>Gangs of New York</s></i>*<i> </i>(2002)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">6</span></b><span class="apple-converted-space"><b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></b></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Patrick
Doyle (1953) </span><i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">Henry V</span></i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;"> (1989), <i>Dead Again</i> (1991), <i>Indochine</i> (1992), M<i>uch Ado
About Nothing</i> (1993), <i>Carlito’s Way</i>
(1993), <span style="background: teal; mso-highlight: teal;">S<i>ense and Sensibility</i> (1995)</span><span style="background-position: initial initial; background-repeat: initial initial;">,</span> <i><span style="background: teal; mso-highlight: teal;">Hamlet</span></i><span style="background: teal; mso-highlight: teal;"> (1996)</span><span style="background-position: initial initial; background-repeat: initial initial;">,</span> <i>Donnie Brasco</i> (1997), <i>Great
Expactations</i> * (1998), <i>Harry Potter
and the Goblet of Fire</i> (2005), <i>The
Last Region</i> (2007), <i>Sleuth</i>
(2007), <i>Thor</i> (2011), <i>The Rise of the Planet of the Apes</i>
(2011), <i>Brave</i> (2012)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">6</span></b><span class="apple-converted-space"><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">André
Previn<span class="apple-converted-space"> </span>(1929)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">7</span></b><span class="apple-converted-space"><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;"> </span></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Ravi
Shankar (1920 – 11 december, 2012) </span><i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">Ghandi*</span></i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;"> (1982)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">8<span class="apple-converted-space"> </span></span></b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Victor Schertzinger (1888 – 26 oktober, 1941)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">16</span></b><span class="apple-converted-space"><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">Henry Mancini (1924 – 14 juni, 1994) </span><i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;">Touch of </span></i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;">Evil (1958), Breakfast<i> at Tiffany’s</i> (1961), <i>Days of
Wine and Roses</i> (1962), <i>The Pink
Panther</i> (1963), <i>The Party</i> (1968),</span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">16</span></b><span class="apple-converted-space"><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">Charlie Chaplin (1889 – 25 december, 1977) </span><i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;">City Lights</span></i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;"> (1931), <i><span style="background: darkcyan; mso-highlight: darkcyan;">Modern Times</span></i><span style="background: darkcyan; mso-highlight: darkcyan;"> (1936)</span></span><span style="font-size: 8pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">18</span></b><span class="apple-converted-space"><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">Miklós Rózsa (1907 – 27 juli, 1995) </span><i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;">Knight Without Armour</span></i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;"> (1937), <i>The Thief of Bagdad </i>(1940), <i> Lady
Hamilton </i> (1941), <i><span style="background: darkcyan; mso-highlight: darkcyan;">Jungle Book </span></i><span style="background: darkcyan; mso-highlight: darkcyan;"> (1942)</span>, <i><span style="background: darkcyan; mso-highlight: darkcyan;">Double Indemnity </span></i><span style="background: darkcyan; mso-highlight: darkcyan;"> (1944),</span> <i><span style="background: darkcyan; mso-highlight: darkcyan;">Spellbound </span></i><span style="background: darkcyan; mso-highlight: darkcyan;"> (1945)</span>, <i>A Song to Remember </i> (1945), <i>The
Red House </i> (1947), <i>Qua Vadis </i> (1951), <i>Ivanhoe
</i> (1952), <i> Ben Hur </i> (1959), <i> El Cid </i> (1961), <i> Sodom and Gomorrah </i>(1963), <i>The Private Life of Sherlock Holmes </i> (1970)</span><i><span style="font-size: 13.5pt;"><o:p></o:p></span></i></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">19</span></b><span class="apple-converted-space"><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;"> </span></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Jonathan
Tunick <span class="apple-converted-space"> </span>(°1938)<o:p></o:p></span></div>
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<b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;">19 </span></b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">William
Axt (1888 – 13 februari, 1959)</span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;"> <i>Greed </i>(1924), <i>Ben Hur</i>
(1925), <i>Don Juan </i> (1926), <i>Grand
Hotel </i>(1932) </span><o:p></o:p></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">22</span></b><span class="apple-converted-space"><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;"> </span></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Jack
Nitzsche <span class="apple-converted-space"> (</span>1937 – 25
augustus, 2000) </span><i><span style="background: darkcyan; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-highlight: darkcyan; mso-shading: black;">The Exorcist*</span></i><span style="background: darkcyan; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-highlight: darkcyan; mso-shading: black;"> (1973)</span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">, <i><span style="background: darkcyan; mso-highlight: darkcyan;">One Flew Over the Cuckoo’s Nest</span></i><span style="background: darkcyan; mso-highlight: darkcyan;"> (1975)</span>, <i>Breathless</i> (1983)</span><span style="font-size: 8pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">23</span></b><b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> S</span></b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">ergei Prokofiev (1891 – 5 maart, 1953</span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;">)<span class="apple-converted-space"> </span> <i> Alexander Nevsky </i>(1938), <i> Ivan
the Terrible </i> (1942-1945)</span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">26</span></b><span class="apple-converted-space"><b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></b></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Giorgio<span class="apple-converted-space"> </span>Moroder<span class="apple-converted-space"> </span>(°1940<span style="background-position: initial initial; background-repeat: initial initial;">)</span> </span><i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;">Midnight Epxress</span></i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;"> (1978), <i>Scarface</i> (1983), <i>Metropolis</i> (1927/1984*)</span><i><o:p></o:p></i></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">29<span class="apple-converted-space"> </span></span></b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Craig Armstrong (°1959) </span><i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">Romeo + Juliet</span></i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;"> *
(1996), <i>Moulin Rouge! </i>(2001)<i>, Elizabeth: The Golden Age</i> (1998)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;">29</span></b><span class="apple-converted-space"><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;"> </span></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Jan A.P.
Kaczmarek (°1953)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 22.0pt; font-variant: small-caps; mso-ansi-language: EN-GB;">Mei</span></b><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;">1</span></b><span class="apple-converted-space"><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;"> </span></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Heinz
Roemheld (1901 –11 februari, 1985)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">2<span class="apple-converted-space"> </span></span></b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">Elliot Goldenthal (</span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">°</span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">1954)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;">3</span></b><span class="apple-converted-space"><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;"> </span></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Stephen
Warbeck (°1953) </span><i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">Mrs. Brown</span></i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;"> (1997), <i>Shakespeare in Love (1998), Billy Elliot</i>
(2000), <i>De Zaak Alzheimer</i> (2003)<i>, There Be Dragons</i> (2011)</span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;"> </span><b><span style="font-size: 13.5pt;"><o:p></o:p></span></b></div>
<div style="margin-bottom: .0001pt; margin: 0cm;">
<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">3</span></b><span class="apple-converted-space"><b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></b></span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">Hugo Friedhofer (1901 – 17 mei, 1981) </span><i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;">The Best Years of our
Lives</span></i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;"> (1946)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">7</span></b><span class="apple-converted-space"><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Anne
Dudley (°1956)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">7</span></b><span class="apple-converted-space"><b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></b></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Georgie Stoll (1905
- 18 januari, 1985) </span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
<div style="margin-bottom: .0001pt; margin: 0cm;">
<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">10</span></b><span class="apple-converted-space"><b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></b></span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">Max Steiner (1888 – 28 december,
1971) </span><i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;">Symphony of a Six Million
</span></i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;"> (1932<span style="background: teal; mso-highlight: teal;">), <i>King Kong </i> (1933)</span><span style="background-position: initial initial; background-repeat: initial initial;">,</span> <i>The
Informer</i> (1935), <i> Gone with the Wind</i> (1939), <i> Now
Voyager </i>(1942), <i><span style="background: darkcyan; mso-highlight: darkcyan;">Casablanca</span></i><span style="background: darkcyan; mso-highlight: darkcyan;"> (1942)</span>, <i>Mildred Pierce</i> (1945), The<i> Searchers</i> (1956</span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">) </span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
<div style="margin-bottom: .0001pt; margin: 0cm;">
<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">10</span></b><span class="apple-converted-space"><b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></b></span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">Dimitri Tiomkin (1894 – 11 november,
1979</span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;">) <i>Lost </i>Horizon
(1937), Dial<i> M for Murder (1946), It’s a
Wonderful Life </i>(1946),<i> Duel in the Sun</i>
(1946)<i> High Noon</i> (1952), <i> The Big
Sky </i>(1952), <i>Friendly </i>Persuasion
(1953), The<i> Alamo</i> (1960), <i>The Guns of </i>Navarone (1961), 55<i> Days at </i>Peking (1963)</span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">, </span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;">The<i> Fall of the Roman Empire</i> (1964)</span><span style="font-size: 8pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">11</span></b><span class="apple-converted-space"><b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></b></span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">Irving Berlin (1888 – 22
september, 1989)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">14</span></b><span class="apple-converted-space"><b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></b></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">J.S.
Zamecnik (1872 – 13 juni, 1953) </span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">14</span></b><span class="apple-converted-space"><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">Brian Eno (born 15 mei, 1948)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">17</span></b><span class="apple-converted-space"><b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></b></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Michael
Trent Reznor (1965) </span><i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">The Social Network<span class="apple-converted-space"> </span></span></i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">(2010),<span class="apple-converted-space"> </span><i>The
Girl with the Dragon Tattoo<span class="apple-converted-space"> </span></i>(2011)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
<div style="margin-bottom: .0001pt; margin: 0cm;">
<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">17</span></b><span class="apple-converted-space"><b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></b></span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">Erik Satie (1866 – 1 juli, 1925</span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;">) <i><span style="background: darkcyan; mso-highlight: darkcyan;">Entr’acte</span></i><span style="background: darkcyan; mso-highlight: darkcyan;"> (1924)</span></span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
<div style="margin-bottom: .0001pt; margin: 0cm;">
<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">25</span></b><span class="apple-converted-space"><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Trevor
Morris (°1970</span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">) </span><i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;">The Tudors</span></i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;"> (serie: 2007-2010)</span><span style="font-size: 8pt;"><o:p></o:p></span></div>
<div style="margin-bottom: .0001pt; margin: 0cm;">
<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">26</span></b><span class="apple-converted-space"><b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></b></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Nicola
Piovani (°1946</span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">) </span><i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;">Intervista</span></i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;"> (1987), <i><span style="background: darkcyan; mso-highlight: darkcyan;">La vita è
bella</span></i><span style="background: darkcyan; mso-highlight: darkcyan;">
(1997)</span></span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
<div style="margin-bottom: .0001pt; margin: 0cm;">
<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">26</span></b><span class="apple-converted-space"><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Howard
Goodall (°1958) </span><i><span style="background: darkcyan; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-highlight: darkcyan; mso-shading: black;">Mr. Bean</span></i><span style="background: darkcyan; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-highlight: darkcyan; mso-shading: black;"> (tv-serie:
1990-1995)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">29</span></b><span class="apple-converted-space"><b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></b></span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">Erich Wolfgang Korngold (1897 – 29
november, 1957) </span><i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;">Captain Blood </span></i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;">(1935), <i><span style="background: darkcyan; mso-highlight: darkcyan;">The Adventures
of Robin Hood </span></i><span style="background: darkcyan; mso-highlight: darkcyan;">(1938</span>),
<i>The Private Lives of Elizabeth and Essex </i>(1939),
<i><span style="background: darkcyan; mso-highlight: darkcyan;">The Sea Hawk </span></i><span style="background: darkcyan; mso-highlight: darkcyan;">(1940)</span>, <i>Kings
Row </i>(1942), <i>Deception</i> (1946)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
<div style="margin-bottom: .0001pt; margin: 0cm;">
<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">29</span></b><span class="apple-converted-space"><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">Danny Elfman (</span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">°</span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">1953) </span><i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;">Edward Scissorhands </span></i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;">(1990),</span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span><i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;">Batman Returns </span></i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;">(1992),</span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span><i><span lang="EN-GB" style="background: darkcyan; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB; mso-highlight: darkcyan; mso-shading: black;">The Nightmare Before Christmas</span></i><span lang="EN-GB" style="background: darkcyan; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB; mso-highlight: darkcyan; mso-shading: black;"> (1993),</span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;"> <i>Mission: Impossible</i> (1996), <i>Mars Attacks!</i> (1996), <i>Men in Black </i>(1997), <i>Flubber </i>(1997), <i>Planet of the Apes </i>(2001), <i>Spider-Man
(</i>2002), <i>Men in BlackII</i> (2002), <i>Red Dragon </i>(2002), <i>Big Fish </i>(2003), <i>Spider-Man </i>2
(2004), <i>Charlie and the Chocolate Factory
</i>(2005), <i>Taking Woodstock </i>(2009), <i>Alice in Wonderland </i>(2010), <i>Hitchcock</i> (2012), <i>Oz, The Great and Powerful </i>(2013)<o:p></o:p></span></div>
<div style="margin-bottom: .0001pt; margin: 0cm;">
<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">29</span></b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> Masaru Sato (1928 – 5
december, 1999) </span><i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;">Half Human</span></i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;"> (1955), <i>Yojimbo</i> (1961), <i>Sanjuro </i>(1962), <i>The Bad Sleep
</i>Well (1960), Godzilla<i> </i>(3 films:
1966-1974)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<br /></div>
<div style="margin-bottom: .0001pt; margin: 0cm;">
<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 22.0pt; font-variant: small-caps; mso-ansi-language: EN-GB;">Juni</span></b><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
<div style="margin-bottom: .0001pt; margin: 0cm;">
<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">2</span></b><span class="apple-converted-space"><b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></b></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Marvin
Frederick Hamlisch (1944 – 6 augustus, 2012)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
<div style="margin-bottom: .0001pt; margin: 0cm;">
<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">2</span></b><span class="apple-converted-space"><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Frédéric
Devreese (°1929</span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">) <i>De man die zijn haar kort liet knippen</i>
(1966), <i>Het sacrament </i> (1990), <i>Pauline
& Paulette</i> (2003)</span><u><span style="font-size: 13.5pt;"><o:p></o:p></span></u></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">4</span></b><span class="apple-converted-space"><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Ernö
Rapée<span class="apple-converted-space"> </span>(1891 – 26 juni, 1945)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">7</span></b><span class="apple-converted-space"><b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></b></span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">Charles Strouse (</span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">°</span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">1928)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">9</span></b><span class="apple-converted-space"><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">James Newton Howard (</span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">°</span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB; mso-highlight: black; mso-shading: black;">1951</span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB; mso-highlight: black; mso-shading: black; mso-themecolor: background1;">)</span><i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-bidi-font-family: Arial; mso-highlight: black; mso-shading: white; mso-themecolor: background1;"> The Prince of Tides</span></i><span class="apple-converted-space"><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-bidi-font-family: Arial; mso-highlight: black; mso-shading: white; mso-themecolor: background1;"> </span></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-bidi-font-family: Arial; mso-highlight: black; mso-shading: white; mso-themecolor: background1;">(1991),<span class="apple-converted-space"> </span><i>The
Fugitive</i><span class="apple-converted-space"> </span>(1993), <i>The Sixth
Sense</i><span class="apple-converted-space"> </span>(1999),<span class="apple-converted-space"> </span><i>Dinosaur</i><span class="apple-converted-space"> </span>(2000),<span class="apple-converted-space"> </span><i>The Village</i><span class="apple-converted-space"> </span>(2004),<span class="apple-converted-space"> </span><i>King Kong</i><span class="apple-converted-space"> </span>(2005),<span class="apple-converted-space"> </span><i>Batman Begins </i>(2005), <i>I Am
Legend</i><span class="apple-converted-space"> </span>(2007),<span class="apple-converted-space"> </span><i>The Dark Knight</i><span class="apple-converted-space"> </span>(2008), <i>Green Lantern</i><span class="apple-converted-space"> </span>(2011),<span class="apple-converted-space"> </span><i>The Hunger Games</i><span class="apple-converted-space"> </span>(2012),<span class="apple-converted-space"> </span><i>Snow White and the Huntsman</i><span class="apple-converted-space"> </span>(2012),<span class="apple-converted-space"> </span><i>The Bourne Legacy</i><span class="apple-converted-space"> </span>(2012)</span><span style="background: white; color: white; font-family: "Arial","sans-serif"; font-size: 10.0pt; mso-themecolor: background1;"> </span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB; mso-themecolor: background1;"> </span><span style="color: white; font-size: 13.5pt; mso-themecolor: background1;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB; mso-themecolor: background1;">10</span></b><span class="apple-converted-space"><b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB; mso-themecolor: background1;"> </span></b></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-themecolor: background1;">Randy Edelman (°1947) </span><span style="color: white; font-size: 13.5pt; mso-themecolor: background1;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">11</span></b><span class="apple-converted-space"><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Carmine
Coppola (1910 – 26 april, 1991) </span><i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">The Godfather I</span></i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">
(1972), <i>The Godfather II</i> (1974),<i> Apocalypse Now </i>(1979), <i>The Godfather I</i> (1990)</span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">11</span></b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> Lennie Niehaus (°1929) <i>Bird</i>
(1988)<o:p></o:p></span></div>
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<b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;">12</span></b><span class="apple-converted-space"><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;"> </span></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Klaus
Badelt (°1967) </span><i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">Pirates of the Caribbean: The Curse of the Black Pearl</span></i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;"> (2003)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">15</span></b><span class="apple-converted-space"><b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></b></span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">Gavin Greenaway (</span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">°</span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">1964)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">17</span></b><span class="apple-converted-space"><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Jerry
Fielding (1922 – 17 februari, 1980)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">20</span></b><span class="apple-converted-space"><b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></b></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Jeff
Beal (°1963) </span><i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">Pollock</span></i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;"> (2000)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">21</span></b><span class="apple-converted-space"><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Dario
Marianelli (°1963) </span><i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">The Brothers Grimm</span></i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;"> (2005), <i>Pride and Prejudice</i> (2005), <i>V for Vendetta* </i>(2005), <i>Atonement</i> (2007), <i> Jane </i>Eyre (2011), Anna<i> Karenina</i> (2012)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">21</span></b><span class="apple-converted-space"><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Lalo
Schifrin (°1932</span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">) <i>Mission </i>Impossible
(tv serie, 1966-1973), <i>Cool Hand Luke</i>
(1967), <i>Coogan’s Bluff</i> (1968), <i>Dirty Harry </i> (1973),<i> </i>The<i> Exorcist</i> (geweigerd: 1973),<i>Tango</i> (1998), <i>Rush Hour</i> (1998)</span><span style="font-size: 8pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">23</span></b><span class="apple-converted-space"><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Yann
Tiersen (°1970) </span><i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">Amélie</span></i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;"> (2001), <i>Good Bye Lenin</i> (2003<i> </i> </span><span style="font-size: 8pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">26</span></b><span class="apple-converted-space"><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Dave
Grusin (°1934)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">27</span></b><span class="apple-converted-space"><b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></b></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Rahul Dev
Burman (1939 – 4 januari, 1994)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">29</span></b><span class="apple-converted-space"><b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></b></span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">Bernard Herrmann (1911 – 24 december,
1975</span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;">) <i>Citizen
Kane</i> (1941), <i>Jane Eyre</i> (1944), <i>Hangover Square</i> (1945), <i>The Day the Earth Stood Still</i> (1951), <i>The Egyptian</i> (1954), <i>The Trouble with Harry</i> (1955), <i>The Man Who Knew Too Much</i> (1955), <i>The Wrong Man</i> (1956), <i>Vertigo</i> (1957), <i>The 7<sup>th</sup> Voyage of Sinbad</i> (1958), <i>North by Northwest</i> (1959), <i>Psycho</i>
(1960), <i>The Birds</i> (1963), <i>Marnie</i> (1964), <i> Torn Curtain</i> (geweigerd,
1966), <i>Fahrenheit</i> 461<i> (1966), Twisted Nerve</i> (1968), <i>Obession</i> (1976), <i> Taxi Driver</i> (1976)</span><span style="font-size: 8pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">29</span></b><span class="apple-converted-space"><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Joseph
Carl Breil (1870 – 23 januari 1926)
</span><i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;">Birth of a Nation</span></i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;"> (1915), <i>Intolerance</i> (1916)</span><span style="font-size: 8pt;"><o:p></o:p></span></div>
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<br /></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 22.0pt; font-variant: small-caps; mso-ansi-language: EN-GB;">Juli</span></b><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">7<span class="apple-converted-space"> </span></span></b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Atli Örvarsson (°1970)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">17</span></b><span class="apple-converted-space"><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Abel
Korzeniowski (°1972) </span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">22</span></b><span class="apple-converted-space"><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Alan
Menken<span class="apple-converted-space"><sup> </sup></span>(°1949) <o:p></o:p></span></div>
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<b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;">23</span></b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;"> Bill Lee
(1927), </span><i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">Mo’
Better Blues</span></i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;"> (1990)</span><span style="font-size: 8pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">27</span></b><span class="apple-converted-space"><b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></b></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Henny
Vrienten (°1948)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 22.0pt; font-variant: small-caps; mso-ansi-language: EN-GB;">Augustus</span></b><span style="font-size: 22pt; font-variant: small-caps;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">1</span></b><span class="apple-converted-space"><b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></b></span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Walter
Scharf (1910 – 24 februari, 2003) </span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">4</span></b><span class="apple-converted-space"><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">David
Raksin (1912 – 9 augustus, 2004) </span><i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">Modern Times</span></i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">
(arrangement, 1936), <i>The Adventures of
Sherlock Holmes</i> (<span style="background-position: initial initial; background-repeat: initial initial;">1939), </span><i><span style="background: teal; mso-highlight: teal;">Laura</span></i><span style="background: teal; mso-highlight: teal;"> (1944)</span><span style="background-position: initial initial; background-repeat: initial initial;">,</span> <i>Forever Amber</i> (1947), <i>Across
the Wide Missouri</i> (1951), <i>The Bog
Combo</i> (1955), <i>The Day After</i>
(1983)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">6</span></b><span class="apple-converted-space"><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Oliver
Wallace (1887 – 15 september, 1963)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">8<span class="apple-converted-space"> </span></span></b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Victor Young (1900 – 10 november, 1956)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">14</span></b><span class="apple-converted-space"><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Edmund
Meisel (1894 – 14 november, 1930) </span><i><span style="background: darkcyan; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-highlight: darkcyan; mso-shading: black;">Battleship
Potemkin </span></i><span style="background: darkcyan; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-highlight: darkcyan; mso-shading: black;">(1925)</span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">, <i><span style="background: darkcyan; mso-highlight: darkcyan;">Berlin: Die Sinfonie der
Grossstadt </span></i><span style="background: darkcyan; mso-highlight: darkcyan;"> (1927)</span></span><i><span style="font-size: 13.5pt;"><o:p></o:p></span></i></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">14</span></b><span class="apple-converted-space"><b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></b></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">James
Horner (°1953) </span><i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">Honey, I Shrunk the Kids </span></i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">(1989),
<i>Jumanji</i> (1995), <i>Apollo 13 (</i>1995), <i>Casper </i> (1995), <i>Braveheart
</i>(1995), <i>Titanic </i>(1997), <i><span style="background: darkcyan; mso-highlight: darkcyan;">A Beautiful Mind </span></i><span style="background: darkcyan; mso-highlight: darkcyan;">(2001)</span>, <i>The
Boy in the Striped Pyjamas</i> (2008), <i>Avatar</i>
(2009)</span><span style="font-size: 8pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">15</span></b><span class="apple-converted-space"><b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></b></span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">Tan Dun (</span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">°1957) </span><i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">Crouching Tiger, Hidden Dragon </span></i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">(2000)</span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">16</span></b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> Fumio Hayasaka (1914 –
15 oktober, 1955)</span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;"> <i><span style="background: darkcyan; mso-highlight: darkcyan;">Drunken Angel </span></i><span style="background: darkcyan; mso-highlight: darkcyan;">(1948)</span>, <i>Stray
Dog</i> (1949), <i>Ikuru</i> (1952), <i><span style="background: darkcyan; mso-highlight: darkcyan;">Ugetsu </span></i><span style="background: darkcyan; mso-highlight: darkcyan;">(1953)</span>, <i><span style="background: darkcyan; mso-highlight: darkcyan;">Seven Samurai </span></i><span style="background: darkcyan; mso-highlight: darkcyan;">(1954)</span></span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">19</span></b><span class="apple-converted-space"><b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></b></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Gustavo
Santaolalla (°1951) </span><i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;">Amores Perros </span></i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;">(2000), <i>21 Grams </i> (2003), <i>The
Motrocycle Diaries </i>(2004), <i>Brokeback
Mountain </i> (2005), <i>Babel </i>(2006), Biutiful<i> </i>(2010), <i>On the Road </i>(2012)</span><span style="font-size: 8pt;"><o:p></o:p></span></div>
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<b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;">20</span></b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;"> Isaac Hayes (1942 - 10 augustus, 2008)<span class="apple-converted-space"> </span></span><i><span style="background: darkcyan; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-highlight: darkcyan; mso-shading: black;">Shaft<span class="apple-converted-space"> </span></span></i><span style="background: darkcyan; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-highlight: darkcyan; mso-shading: black;">(1970)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">23</span></b><span class="apple-converted-space"><b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></b></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Alexandre
Desplat (°1961) </span><i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;">Girl with a Pearl Earring </span></i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;">(2003),<i> De batter mon coeur s’est arrêté </i> (2005), <i>The
Queen </i>(2006), <i>The Peinted Veil </i>(2006),
<i>The Curious Case of Benjamin Button </i>(2008),
<i>Coco avant </i>Chanel (2009), <i>Harry Potter and the Deathly Hallows – Part
1 </i>(2010), <i>Harry Potter and the
Deathly Hallows – Part 2 </i>(2011),<i>The
Idles of March </i>(2011), <i>My Week With
Marylin </i>(2011), <i> Extremely Loud and Incredibly Close </i> (2011), <i>Renoir
</i> (2012), </span><span style="font-size: 8pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">23</span></b><span class="apple-converted-space"><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Julian
Nott (°1960) <o:p></o:p></span></div>
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<b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;">23</span></b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;"> Martial
Solal (°1927) </span><i><span style="background: darkcyan; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-highlight: darkcyan; mso-shading: black;">A bout de souffle </span></i><span style="background: darkcyan; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-highlight: darkcyan; mso-shading: black;"> (1960)</span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;"> </span><span style="font-size: 8pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">25</span></b><span class="apple-converted-space"><b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></b></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Ray
Heindorf (1908 – 3 februari, 1980)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">25</span></b><b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> <span class="apple-converted-space"> </span></span></b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Leonard
Bernstein (1918 – 14 oktober, 1990) </span><i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;">On the Waterfront </span></i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;"> (1954), <i> West Side Story </i> (1961)<o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">26</span></b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;"> </span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">Mark Snow (°1946</span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;">) <i> The X-Files</i> (1998)</span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span><span style="font-size: 10pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">30</span></b><span class="apple-converted-space"><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Conrad
Salinger (1901 – 17 juni, 1962)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 24.0pt; font-variant: small-caps; mso-ansi-language: EN-GB;">September</span></b><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">7</span></b><span class="apple-converted-space"><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">Leonard Rosenman (1924 – 4 maart , 2008) </span><i><span lang="EN-GB" style="background: darkcyan; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB; mso-highlight: darkcyan; mso-shading: black;">The Cobwebb </span></i><span lang="EN-GB" style="background: darkcyan; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB; mso-highlight: darkcyan; mso-shading: black;">(1955)</span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;">, <i><span style="background: darkcyan; mso-highlight: darkcyan;">East of Eden </span></i><span style="background: darkcyan; mso-highlight: darkcyan;"> (1955)</span>, <i>Rebel Without a Cause </i> (1955), <i>Fantastic
Voyage </i> (1966), <i>Lord of the Rings </i>(1978), <i>The
Jazz Singer </i> (1980)</span><b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;"> </span></b><b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;"><o:p></o:p></span></b></div>
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<b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;">8</span></b><span class="apple-converted-space"><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;"> </span></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Peter
Maxwell Davies (°1934)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">11</span></b><span class="apple-converted-space"><b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></b></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Herbert Stothart (1885 –
1 februari, 1949) </span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">12</span></b><span class="apple-converted-space"><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">Hans Zimmer, German (</span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">°</span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">1957) ***</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">13</span></b><span class="apple-converted-space"><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">Maurice Jarre (1924 – 28 maart, 2009) ***</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;">18</span></b><span class="apple-converted-space"><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;"> </span></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">John
Powell (°1963)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">18</span></b><span class="apple-converted-space"><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">Arthur Benjamin (1893 – 10 april, 1960)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">20</span></b><span class="apple-converted-space"><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;"> </span></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Mychael
Danna (°1958) </span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">***</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">25</span></b><span class="apple-converted-space"><b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></b></span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">Dmitri Shostakovich (1906 – 9 augustus,
1975) ***</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">26</span></b><span class="apple-converted-space"><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">George Gershwin (1898 – 11 juli, 1937)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<div style="margin-bottom: .0001pt; margin: 0cm;">
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 22.0pt; font-variant: small-caps; mso-ansi-language: EN-GB;">Oktober</span></b><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;">3</span></b><span class="apple-converted-space"><b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;"> </span></b></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Roy
Webb (1888 – 10 december, 1982) </span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">6</span></b><span class="apple-converted-space"><b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></b></span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">Stanley Myers (1930 – 9 November
1993)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;">7</span></b><span class="apple-converted-space"><b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;"> </span></b></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Gabriel
Yared (°1949)<span class="apple-converted-space"> </span> </span><i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">Sauve qui peut la </span></i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">vie (1980), <i><span style="background: darkcyan; mso-highlight: darkcyan;">Camille </span></i><span style="background: darkcyan; mso-highlight: darkcyan;">Claudel (1989)</span>, The<i> English Patient </i>(1996), <i>City of Angels</i> (1998), <i>Message in a Bottle</i> (1999), <i><span style="background: darkcyan; mso-highlight: darkcyan;">The Talented Mr. Ripley</span></i><span style="background: darkcyan; mso-highlight: darkcyan;"> (1999)</span>, <i><span style="background: darkcyan; mso-highlight: darkcyan;">Cold Mountain</span></i><span style="background: darkcyan; mso-highlight: darkcyan;"> (2003)</span>, <i><s>Troy</s> </i></span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">*</span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;"> </span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">(2004), <i><span style="background: darkcyan; mso-highlight: darkcyan;">Das Leben der Anderen </span></i><span style="background: darkcyan; mso-highlight: darkcyan;">2006),</span> <i>Coco Chanel & Igor Stravinsky </i>(2009)</span><span style="font-size: 8pt;"><o:p></o:p></span></div>
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<b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;">8</span></b><span class="apple-converted-space"><b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;"> </span></b></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Toru
Takemitsu (1930 – 20 februari, 1996)
</span><i><span style="background: darkcyan; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-highlight: darkcyan; mso-shading: black;">Woman in the Dunes </span></i><span style="background: darkcyan; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-highlight: darkcyan; mso-shading: black;"> (1964)</span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">,</span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;"> </span><i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">The Face of Another </span></i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">(1966), <i><span style="background: darkcyan; mso-highlight: darkcyan;">Double Suicide </span></i><span style="background: darkcyan; mso-highlight: darkcyan;">(1969</span>), <i> <span style="background: darkcyan; mso-highlight: darkcyan;">Dodesukaden </span></i><span style="background: darkcyan; mso-highlight: darkcyan;">(1970)</span>, <i>Empire of
Passion </i> (1978), <i> <span style="background: darkcyan; mso-highlight: darkcyan;">Ran </span></i><span style="background: darkcyan; mso-highlight: darkcyan;"> (1985)</span>, <i> <span style="background: darkcyan; mso-highlight: darkcyan;">Rising Sun </span></i><span style="background: darkcyan; mso-highlight: darkcyan;"> (1993)</span><i> </i></span><span style="font-size: 8pt;"> <o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">9</span></b><span class="apple-converted-space"><b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;"> </span></b></span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">Camille Saint-Saëns (1835
– 16 december, 1921) </span><i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;">L’assasinat du duc de Guise </span></i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;">(1908)</span><span style="font-size: 8pt;"><o:p></o:p></span></div>
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<b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;">9</span></b><span class="apple-converted-space"><b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;"> </span></b></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Steve
Jablonsky (°1970)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;">10</span></b><span class="apple-converted-space"><b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;"> </span></b></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Michael
Giacchino (°1967) </span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">***</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">12</span></b><span class="apple-converted-space"><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">Ralph Vaughan Williams (1872 – 26 augustus, 1958<i>) </i></span><i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;">Coastal Command </span></i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;"> (1942), <i><span style="background: darkcyan; mso-highlight: darkcyan;">Scott of the Antartic </span></i><span style="background: darkcyan; mso-highlight: darkcyan;"> (1948)</span>, <i> Bitter Springs </i> (1950), <i>The
England of Elizabeth </i> (1957)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">18</span></b><span class="apple-converted-space"><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">Friedrich Hollaender (1896 – 18 januari, 1976) </span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;"> <i>Der Blaue Engel </i>(1930), Destry Rides
Again (1939), <i>A Foreign Affair </i> (1954), <i>Sabrina
</i> (1954)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">18</span></b><span class="apple-converted-space"><b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;"> </span></b></span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">Howard Shore (</span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">°</span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">1946</span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;">) <i>Naked
Lunch </i> (1991), <i>The Silence of the </i>Lambs (1991), <i>Philadelphia*</i> (1993), <i>Ed Wood
</i> (1994), <i>Seven</i>
(1995),<i> eXistenZ </i>(1999), <i>High Fidelity</i>* (2000), <i>The Cell*
</i> (2000), <i>The Score</i> (2001), <i><span style="background: teal; mso-highlight: teal;">The Lord of the Rings: The
Fellowship of the Ring</span></i><span style="background: teal; mso-highlight: teal;"> (2001)</span>, <i>Gangs of New York </i>(2002),
<i>Panic Room </i>(2002), <i>Spider</i> (2002), <i><span style="background: teal; mso-highlight: teal;">The Lord of the Rings:
The Two Towers</span></i><span style="background: teal; mso-highlight: teal;"> (2002)</span>,
<i><span style="background: teal; mso-highlight: teal;">The Lord of the Rings: The Return of the King</span></i><span style="background: teal; mso-highlight: teal;"> (2003)</span>, <i>The Aviator </i>(2004), <i>A History
of Violence</i> (2005), <i>The Departed*</i>
(2006), <i>The Twilight Saga</i>: <i>Eclipse</i> (2010), <i>Hugo</i> (2011), <i>The Hobbit: An Unexpected
Journey</i> (2012), <i>The Hobbit: The
Desolation of Smaug</i> (2013), <i> The Hobbit: There and Back Again </i> (2014) </span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;">19</span></b><span class="apple-converted-space"><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;"> </span></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">George
Fenton (°1950) </span><i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">Ghandi*</span></i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;"> (1982), <i>Cry </i>Freedom (1987), Dangerous<i> Liaisons*</i> (1988), <i>The Blue Planet</i> natuurdocumentaire, 2001), <i>Planet Earth</i> (natuurdocumentaire, 2006), <i>Life</i> (natuurdocumentaire, 2009)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;">20</span></b><span class="apple-converted-space"><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;"> </span></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Adolph
Deutsch (1897 – 1 januari, 1980) </span><i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">The Maltese Falcon</span></i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;"> (1941), <i>Some Like it Hot*</i> (1959),<i> The Apartment</i> (1960), </span><span style="font-size: 8pt;"><o:p></o:p></span></div>
<div style="margin-bottom: .0001pt; margin: 0cm;">
<b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;">20</span></b><span class="apple-converted-space"><b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;"> </span></b></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Frank
Churchill (1901 –14 mei, 1942) </span><i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">Snow White and the Seven Dwarves</span></i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;"> (1937)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;">20</span></b><span class="apple-converted-space"><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;"> </span></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Stephan
Zacharias (°1956)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;">21</span></b><span class="apple-converted-space"><b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;"> </span></b></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Malcolm
Arnold (1921 – 23 september, 2006) </span><i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">David Copperfield</span></i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;"> (1969)</span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;"> </span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;">23</span></b><span class="apple-converted-space"><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;"> </span></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Graeme
Revell (°1955) </span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">***<o:p></o:p></span></div>
<div style="margin-bottom: .0001pt; margin: 0cm;">
<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">24</span></b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> Pino Donaggio (°1941) </span><i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;">Carrie</span></i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;"> (1976), Dressed<i>
to Kill</i> (1980), <i>Blow Out</i> (1981), <i>Body Double</i> (1(1984), <i>Passion </i>(2012)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
<div style="margin-bottom: .0001pt; margin: 0cm;">
<b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;">28</span></b><span class="apple-converted-space"><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;"> </span></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Carl
Davis<span class="apple-converted-space"> </span>(°1936) </span><i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;">Intolerance</span></i><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt;"> (1916), Greef (1924), Napoléon (1927), <i>Ben-Hur</i> (1925), <i>Phantom of
the Opera</i> (1925), <i> Godless Girl</i> (1928), <i>City Lights</i> (1931)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
<div style="margin-bottom: .0001pt; margin: 0cm;">
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<div style="margin-bottom: .0001pt; margin: 0cm;">
<br /></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 22.0pt; font-variant: small-caps; mso-ansi-language: EN-GB;">November</span></b><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">3</span></b><span class="apple-converted-space"><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">J</span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">ohn
Barry (1933 – 30 januari, 2011)
</span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">***</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">4</span></b><span class="apple-converted-space"><b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></b></span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">Laurence Rosenthal (</span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">°</span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB; mso-highlight: black; mso-shading: black;">1926) </span><i><span lang="EN-GB" style="background: darkcyan; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB; mso-highlight: darkcyan; mso-shading: black;">The Miracle Worker </span></i><span lang="EN-GB" style="background: darkcyan; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB; mso-highlight: darkcyan; mso-shading: black;">(1962)</span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;">, <i> <span style="background: darkcyan; mso-highlight: darkcyan;">Becket </span></i><span style="background: darkcyan; mso-highlight: darkcyan;">(1964)</span>, <i>Clash
of the Titans </i> (1981), <i>The Bourne Identity </i> (1986)</span><span style="font-size: 8pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">7</span></b><span class="apple-converted-space"><b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></b></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">William
Alwyn<span class="apple-converted-space"> </span>(1905 – 11 september, 1985)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></b><b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;">9</span></b><span class="apple-converted-space"><b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;"> </span></b></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Roger
Edens (1905 – 13 juli, 1970)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">10</span></b><span class="apple-converted-space"><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">Ennio Morricone (</span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">°</span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">1928) ***</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">14</span></b><span class="apple-converted-space"><b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></b></span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">Aaron Copland (1900 – 2 december,
1990) </span><i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;">The City </span></i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;"> (1939), <i> Of Mice and Men </i> (1939), <i>Our
Town </i> (1940), <i>The Red Pony </i> (1949), <i>The Heirres </i> (1949)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">16</span></b><span class="apple-converted-space"><b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></b></span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">Paul Hindemith (1895 – 28 december,
1963) </span><i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;">Ghosts Before Breakfast </span></i><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-GB;">(verloren, 1928)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;">18</span></b><span class="apple-converted-space"><b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;"> </span></b></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">David
Hirschfelder (°1960)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;">18</span></b><span class="apple-converted-space"><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;"> </span></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Carter
Benedict Burwell (1955) </span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">19</span></b><span class="apple-converted-space"><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">Joel Goldsmith (1957 –29 april, 2012)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">22</span></b><span class="apple-converted-space"><b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></b></span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">Benjamin Britten (1913 – 4 december,
1976)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">23</span></b><span class="apple-converted-space"><b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></b></span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">Ludovico Einaudi (</span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">°</span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">1955) ***</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;">23</span></b><span class="apple-converted-space"><b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;"> </span></b></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Jean-Michel
Bernard<span class="apple-converted-space"> </span>(°1961)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">25</span></b><span class="apple-converted-space"><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">Virgil Thomson (1896 – 30 september, 1989) ***</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;">28</span></b><span class="apple-converted-space"><b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;"> </span></b></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Randy Newman (°1943)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;">29</span></b><span class="apple-converted-space"><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;"> </span></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Heitor
Pereira <span class="apple-converted-space"> </span>(°1960)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 22.0pt; font-variant: small-caps; mso-ansi-language: EN-GB;">December</span></b><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">3</span></b><span class="apple-converted-space"><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">Nino Rota (1911– 10 april, 1979) ***</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">4</span></b><span class="apple-converted-space"><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">Alex North (1910 – 8 september, 1991) ***</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;">4</span></b><span class="apple-converted-space"><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;"> </span></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Richard
Stephen Robbins (1940 –7 november, 2012)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">5</span></b><span class="apple-converted-space"><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">John Altman (</span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">°</span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">1949)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;">6</span></b><span class="apple-converted-space"><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;"> </span></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Joe
Hisaishi (°1950)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;">7</span></b><span class="apple-converted-space"><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;"> </span></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Ernst
Toch (1887 – 1 october, 1964) </span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;">11</span></b><span class="apple-converted-space"><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;"> </span></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Jon
Brion (°1963)<o:p></o:p></span></div>
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<span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;">11</span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;"> Rachel Portman (°1960) </span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;">13</span></b><span class="apple-converted-space"><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;"> </span></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Harry
Gregson-Williams (°1961)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB;">19</span></b><span class="apple-converted-space"><b><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;"> </span></b></span><span lang="EN-GB" style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB;">Paul Dessau (1894 - 28 juni, 1979)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;">19</span></b><span class="apple-converted-space"><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;"> </span></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Robert
Bernard Sherman (1925 – 6 maart, 2012)</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 16.0pt;">24</span></b><span class="apple-converted-space"><b><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;"> </span></b></span><span style="background: black; color: white; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt;">Franz
Waxman (1906 – 24 februari 1967) </span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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Lumièrehttp://www.blogger.com/profile/03760591998799509107noreply@blogger.com0tag:blogger.com,1999:blog-7371651641276952122.post-42104768021588819252013-02-17T14:41:00.000+01:002013-02-17T14:41:20.371+01:00Das Experiment !<div style="text-align: center;">
<iframe allowtransparency="true" frameborder="0" height="180" scrolling="no" seamless="seamless" src="http://files.bannersnack.com/iframe/embed.html?hash=bu3yrlal&bgcolor=%23000000&wmode=opaque&t=1361108242" width="364"></iframe>
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Sinds enkele weken maakt Lumière een reis door de filmgenres. Aan de hand van Filmmuziek verkenden we de voorbije twee weken al de Western (en het Italiaanse broertje 'de SpaghettiWestern') en Thrillers/Suspense.
Vanavond, op 17 februari 2013, verkent Lumière het derde filmgenre in de rij: SCI-FI (Science Fiction). </div>
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We verkennen de beste 'wetenschapsfictie-films' uit de afgelopen eeuw. Maar hiervoor hebben we <b>jouw hulp </b>nodig! We verzamelenden een 20-tal movie themes die opgeteld meer dan anderhalf uur duren. Tussen 19 en 20 uur krijg je af en toe de vraag om te stemmen (of te laten weten) uit welke film je een movie theme wil horen. Langs Twitter, Facebook en via Mail gooi je jouw voorkeur naar ons toe en bepaal zelf wat je op de radio hoort.
We zijn er van overtuigd dat we op de studentenradio ook aan het modewoord 'interactie' kunnen doen! </div>
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Hoe? </div>
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via <a href="https://www.facebook.com/pages/Lumi%C3%A8re/278712745480177" target="_blank">facebook</a></div>
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via <a href="https://twitter.com/lumiereRS" target="_blank">twitter</a> (@LumiereRS)</div>
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via <a href="mailto:lumiere.radioscorpio@gmail.com" target="_blank">mail</a> </div>
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via de telefoon: (+32) (0)16/32.03.36</div>
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Voor we aan de SCI-FI filmreeksen aankomen, vieren we de verjaardag van Belgische trots Dirk Brossé en spelen we het Film en Literatuurspel om dat fijne boek uit Boekcargo Leuven te winnen. </div>
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Tot vanavond tussen 19 en 20 uur via 106 FM (Leuven) en <a href="http://www.radioscorpio.be/">www.radioscorpio.be</a> !</div>
Lumièrehttp://www.blogger.com/profile/03760591998799509107noreply@blogger.com0tag:blogger.com,1999:blog-7371651641276952122.post-46526121817619043282013-01-24T12:17:00.003+01:002013-01-24T12:19:57.868+01:00Snow Snow Snow!<iframe width="500" height="200" src="//www.mixcloud.com/widget/iframe/?feed=http%3A%2F%2Fwww.mixcloud.com%2Flumiere_radioscorpio%2Flumiere-20132001-snow-snow-snow%2F&embed_uuid=ab33dad1-bb3f-44c9-94b9-4e8199ab0ba5&stylecolor=&embed_type=widget_standard" frameborder="0"></iframe><div style="clear:both; height:3px; width:492px;"></div><p style="display:block; font-size:12px; font-family:Helvetica, Arial, sans-serif; margin:0; padding: 3px 4px; color:#02a0c7; width:492px;"><a href="http://www.mixcloud.com/lumiere_radioscorpio/lumiere-20132001-snow-snow-snow/?utm_source=widget&utm_medium=web&utm_campaign=base_links&utm_term=resource_link" target="_blank" style="color:#02a0c7; font-weight:bold;">Lumière 2013.20.01 "Snow snow snow" </a><span> by </span><a href="http://www.mixcloud.com/lumiere_radioscorpio/?utm_source=widget&utm_medium=web&utm_campaign=base_links&utm_term=profile_link" target="_blank" style="color:#02a0c7; font-weight:bold;">Lumiere_Radioscorpio</a><span> on </span><a href="http://www.mixcloud.com/?utm_source=widget&utm_medium=web&utm_campaign=base_links&utm_term=homepage_link" target="_blank" style="color:#02a0c7; font-weight:bold;"> Mixcloud</a></p><div style="clear:both; height:3px;"></div><br />
Last sunday Belgium was covered in snow. Because we missed a white Christmas and our New Year wasn't white either, we dedicated our first episode to this wonderful view. If you missed the episode, click the banner above. The spoken text is in Dutch, but the music is international and legendary!<br />
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In the episode we also had some interesting announcements! A small overview below:<br />
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- In February we will have our first Film & Literature contest of 2013! Thanks to <a href="http://www.boekcargo.be/" target="_blank">Boekcargo Leuven</a> we will be able to reward our winners with a nice book instead or combined with a film ticket! Visit their <a href="http://www.boekcargo.be/" target="_blank">website</a> and <a href="http://www.facebook.com/boekcargo" target="_blank">Facebook Page</a> to see what offer! You love books? Find them at Tiensestraat 6 in Leuven!<br />
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- After our big succes with the Around The World With Movie Music last semester, we plan a movie music by Genre series, coming up soon. Suggestions and and ideas can be shared by <a href="mailto:lumiere.radioscorpio@gmail.com" target="_blank">mail</a>!<br />
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- What next Sunday will have in store, you'll need to find out on our <a href="https://www.facebook.com/pages/Lumi%C3%A8re/278712745480177" target="_blank">Facebook Page</a>! We'll keep you updated!<br />
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See you on Sunday for our new Lumière!Lumièrehttp://www.blogger.com/profile/03760591998799509107noreply@blogger.com0tag:blogger.com,1999:blog-7371651641276952122.post-43043533281323610512013-01-21T23:05:00.002+01:002013-01-24T11:54:52.796+01:00Students come 'closer to classic'<div style="text-align: justify;">
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">Since 2013 kicked off, a nice project got our attention. A school project of four students of the Catholic University of Leuven worked on a website to bring classical music closer to the public. Therefore they developed a working social media strategy and gorgeous new website.</span><br />
<span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">Why do we want to present this website to you? Why would it be interesting for readers of our blog?</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">The answer here is simple: one of the methods the students use is through movie music. At the center of their content, the website offers information and videos of filmed composers, like W. A. Mozart in Amadeus or Schubert in The Double life of Schubert. With a small biography the students categorize some periods in the history of classical music and make connections with recent or older movies. Besides the website also puts a focus on shortfilms, movies about classical music and soundtracks in general.</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">Our own Ruben Laureys adviced the student crew. Curious about their result? Visit <a href="http://www.closertoclassic.com/">www.closertoclassic.com</a> . Are you interested in winning some tickets for a classical concert or getting interactive with other fans of classical music, their <a href="https://www.facebook.com/pages/closer-to-classic/118153485014404" target="_blank">facebook page</a> is the place to be.</span><br />
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Lumièrehttp://www.blogger.com/profile/03760591998799509107noreply@blogger.com0tag:blogger.com,1999:blog-7371651641276952122.post-12346153471511357722012-12-24T18:32:00.000+01:002012-12-25T11:34:25.187+01:00How to say your Best Wishes to all?<div class="separator" style="clear: both; text-align: center;">
<a href="http://1.bp.blogspot.com/-8LOwgL4fm94/UNiRaCCXBbI/AAAAAAAAAFQ/EMIowwhmE50/s1600/Kerstwens+2013+Lumie%CC%80re.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://1.bp.blogspot.com/-8LOwgL4fm94/UNiRaCCXBbI/AAAAAAAAAFQ/EMIowwhmE50/s1600/Kerstwens+2013+Lumie%CC%80re.jpg" height="320" width="320" /></a></div>
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Dear Reader</div>
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Dear Listener</div>
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We don't know, but this is how we want to thank you...</div>
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2012 was a very unique year for our radio program. Not only did Lumière have his first birthday with the main editor, Ruben Laureys and technician Dieter De Roover. After one year, our program can be proud and conclude that our audience was stable and starts to get a good reputation in the student population of Leuven and an audience worldwide. A new member joined the team, Bert Wastijn, and next to a bigger fanbase on facebook, a new account on mixcloud and a twitter channel, we can proudly say that our blog is our biggest succes. </div>
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After only 4,5 months, our pages and blogs have been read more and more every month. This December, it was visited more than 400 times and we published monthly new facts, opinions and information about our program (average of 6/month). We hope to continue this evolution by growing and presenting even more quality blogs by inviting experts and enthusiasts to write for us. We already received 3 guest blogs that were appreciated by all our readers and started multiple discussion in the small Lumière community. Thank you Laura Van Wymersch and Diana Goderich for writing those great texts for us. We invite u all to contact us, send blogs or get involved with our blog and program to make this an even broader platform for movie music and its history. </div>
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On Air, we also invited a remarkable amount of guests and had opportunities to interview different amazing composers. Not only the World Soundtrack Award winner Brian Byrne and Wim Mertens, also Jef Neve, <span style="text-align: justify;">David Wingo, Lucas Vidal ... made time to get in touch with us. A huge thanks to them and to professor Jan Baetens from the Institute of Cultural Studies in Leuven, who took us more than once in an adventure of Literature that was adapted to the big screen. Those experiences were great for us as team behind Lumière, but we hope they were as educating, entertaining, informative ... for you as they were for us. Also, you are invited to suggestions, remarks and questions to make Lumière even better in 2013.</span></div>
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<span style="text-align: justify;">For a team like us, three volunteers, it's great to produce a weekly program and to work for our weekly hour of movie music. But that isn't the thing that gives us energy: it's you, the listeners of our radio show and the readers of our blog that give us the satisfaction we hope for. We hope to keep raising our amount of audiences and to keep receiving honest and nice feedback! Keep up the good work and we will try to keep up ours too!</span></div>
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<span style="text-align: justify;"><br /></span></div>
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<span style="text-align: justify;">So, to get this blog to an end... we would like to thank everyone who ever cooperated with, listened to an read Lumière. We want to stress that for us, this year was magical with only great 'ups' and we hope to continue this even more in the next year. Thanks especially to every name that was mentioned in this blog and every name that slipped our mind. Know that without you, our program wouldn't be what it is now. We hope you'll hear Lumière as it is a program of all of us. Thanks to work, listen and read us. </span></div>
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<span style="text-align: justify;">Keep spreading the word! To finish, we present to you our top blogs and mixclouds, to relive this year the fullest before entering 2013. Enjoy your stay at our blog and dream with the sounds we played in 2012. </span></div>
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<span style="text-align: justify;"><u>Blog Top 5: </u></span></div>
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1 <a href="http://lumiereradioscorpio.blogspot.be/2012/10/soundtrack-broken-circle-breakdown.html" target="_blank">Soundtrack Broken Circle Breakdown</a></div>
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2 <a href="http://lumiereradioscorpio.blogspot.be/2012/09/john-parish-soundtrack-voor-little.html" target="_blank">John Parish' soundtrack voor 'Little Black Spiders' opent het Filmfestival van Oostende</a></div>
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3 <a href="http://lumiereradioscorpio.blogspot.be/2012/12/the-hobbit-soaring-over-middle-earth.html" target="_blank">The Hobbit: Soaring over Middle-Earth</a> (Guest Blog by Laura Van Wymersch)</div>
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4 <a href="http://lumiereradioscorpio.blogspot.be/2012/11/rond-de-wereld-met-filmmuziek-v-spanje.html" target="_blank">"Rond de wereld met filmmuziek" (V): Spanje</a></div>
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5 <a href="http://lumiereradioscorpio.blogspot.be/2012/10/the-russian-action-movie-sociological.html" target="_blank">The Russian action movie: the sociological poetry of criminality</a> (Guest Blog by Diana Goderich)</div>
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<span style="text-align: justify;"><u>Mixcloud Top 5:</u></span></div>
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<span style="text-align: justify;">1 <a href="http://www.mixcloud.com/lumiere_radioscorpio/lumiere-201299/" target="_blank">Lumière 2012.9.9</a></span></div>
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<span style="text-align: justify;">2 <a href="http://www.mixcloud.com/lumiere_radioscorpio/lumiere-20121612-lumiere-special-best-of-soundtracks-on-sunday/" target="_blank">Lumière 2012.16.12 Lumière SPECIAL: Best of Soundtracks on Sunday</a></span></div>
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<span style="text-align: justify;">3 <a href="http://www.mixcloud.com/lumiere_radioscorpio/lumiere-2012239-de-ontknoping-i/" target="_blank">Lumière 2012.23.9 De Ontknoping (I)</a></span></div>
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<span style="text-align: justify;">4 <a href="http://www.mixcloud.com/lumiere_radioscorpio/lumiere-20121410-rond-de-wereld-met-filmmuziek-ii-india/" target="_blank">Lumière 2012.14.10 "Rond de wereld met filmmuziek" (II): India</a></span></div>
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<span style="text-align: justify;">5 <a href="http://www.mixcloud.com/lumiere_radioscorpio/lumiere-2012309-la-nouvelle-vague-godard-i/" target="_blank">Lumière 2012.3.09 La Nouvelle Vague - Godard (I)</a></span></div>
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<span style="text-align: justify;">We hope to 'hear' you soon. With the best of wishes in 2013!</span></div>
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The Lumière Team</div>
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Ruben Laureys, Bert Wastijn, Dieter De Roover</div>
Lumièrehttp://www.blogger.com/profile/03760591998799509107noreply@blogger.com0tag:blogger.com,1999:blog-7371651641276952122.post-47207100250192312292012-12-17T16:14:00.004+01:002012-12-19T13:21:28.562+01:00Best of Soundtracks on Sunday (Part 3)<div style="text-align: left;">
Who missed our Best of Soundtracks on Sunday? The Lumière Special is now uploaded on our Mixcloud.<br />
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Just curious about the top 10 of the Best of Soundtracks on Sunday that you all picked for us?<br />
Here is the line up!<br />
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10 Sound of Music: My Favorite Things</div>
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09 La Vita è Bella: La Vita è Bella</div>
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08 Beauty and the Beast: Tale as Old as Time </div>
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07 Lord of the Rings - Fellowship of the Ring: Theme</div>
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06 Pulp Fiction: Girl, You'll be a Woman Soon</div>
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05 Requiem for a Dream: Theme</div>
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04 Pirates of the Carribean: Theme</div>
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03 Kill Bill 1: Twisted Nerve</div>
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02 Lion King: Circle of Life</div>
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01 Le Fabuleux Destin d'Amélie Poulain: Comptine D'un Autre été l'après Midi</div>
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<a href="http://www.mixcloud.com/lumiere_radioscorpio/lumiere-20121612-lumiere-special-best-of-soundtracks-on-sunday/?utm_source=widget&utm_medium=web&utm_campaign=base_links&utm_term=resource_link" style="color: #02a0c7; font-weight: bold;" target="_blank">Lumière 2012.16.12 Lumière SPECIAL: Best of Soundtracks on Sunday</a> by <a href="http://www.mixcloud.com/lumiere_radioscorpio/?utm_source=widget&utm_medium=web&utm_campaign=base_links&utm_term=profile_link" style="color: #02a0c7; font-weight: bold;" target="_blank">Lumiere_Radioscorpio</a> on <a href="http://www.mixcloud.com/?utm_source=widget&utm_medium=web&utm_campaign=base_links&utm_term=homepage_link" style="color: #02a0c7; font-weight: bold;" target="_blank"> Mixcloud</a></div>
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Lumièrehttp://www.blogger.com/profile/03760591998799509107noreply@blogger.com0tag:blogger.com,1999:blog-7371651641276952122.post-47868994614380717022012-12-14T22:39:00.000+01:002012-12-19T13:15:29.750+01:00Best of Soundtracks on Sunday (part 2)Dear Lumière fan!<br />
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This sunday it is the moment of truth. As described in <a href="http://lumiereradioscorpio.blogspot.be/2012/12/best-of-soundtracks-on-sunday.html" target="_blank">our previous post</a>, on sunday December 16th a Lumière Special will take place. With not just one, but two special guests, not only will the mystery be solved about our last Film and Literature contest, also you all voted for your favorite movie music.<br />
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To help you enlighten this episode, we provide you this small tip! The top ten will look like this:<br />
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10 ______________________________________</div>
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09 ______________________________________</div>
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08 ______________________________________ </div>
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07 ______________________________________</div>
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06 ______________________________________</div>
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05 ______________________________________</div>
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04 ______________________________________</div>
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03 ______________________________________</div>
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02 ______________________________________</div>
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01 ______________________________________</div>
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Keep this sheet close on Sunday! Fill in the missing movies and songs so you will never forget what were the Best Soundtracks on Sunday 2012!<br />
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Hear you soon!<br />
<br />
The Lumière Team<br />
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<br />Lumièrehttp://www.blogger.com/profile/03760591998799509107noreply@blogger.com0tag:blogger.com,1999:blog-7371651641276952122.post-61592883620301582162012-12-12T19:22:00.002+01:002012-12-12T19:26:53.050+01:00The Hobbit: Soaring over Middle-Earth<!--[if gte mso 9]><xml>
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<div class="Hoofdtekst">
<div style="text-align: center;">
<br />
<iframe allowfullscreen="allowfullscreen" frameborder="0" height="315" src="http://www.youtube.com/embed/JAxrLIVhrVI?list=UU64TPBGPU1aPrSxIDYkNGpA&hl=nl_NL" width="560"></iframe></div>
</div>
<div style="text-align: center;">
<br /></div>
<i><span lang="EN-GB">The Hobbit</span></i><span lang="EN-GB">
takes us on a new journey through Middle-Earth, decades before the story of <i>The Lord of the Rings</i>. We are reunited
with some old, trusted characters and are introduced to a number of new ones.
Despite quite some production issues, the film is directed by another trusted
character, Peter Jackson and written by Phillipa Boyens and Fran Walsh, with
the addition of Guillermo del Toro. The composition of the music was once again
entrusted to Howard Shore.</span></div>
<div class="Hoofdtekst">
<br /></div>
<div class="Hoofdtekst">
<span lang="EN-GB">All in all, the story is nicely
interwoven with <i>The Lord of the Rings</i>
through a shared moment. Bilbo and Frodo are preparing for Bilbo’s one hundred
and eleventh birthday as Bilbo decides to write down his adventures in a book,
with the intriguing opening: “My Dear Frodo, you asked me once if I had told
you everything there was to know about my adventures. While I can honestly say
I have told you the truth, I may not have told you all of it…” However, the
story takes a long time to gather speed. In an effort to draw us right back
into Tolkien’s fantasy world, the film opens with an impressive battle sequence
that tells the background story of the dwarves that are soon to appear. I would
have liked for the film to have started of differently though, with the joyful
wit that is so characteristic of <i>The
Hobbit</i> and separates the book from its big brother. That playfulness
luckily comes into play when we revisit Hobbiton and the thirteen dwarves start
tumbling through Bilbo’s door, figuratively and literally. The strength of the
book and of Bilbo as the unlikely hero, lies in the growth of the character
from a homebird with childlike qualities to an epic hero without ever losing
his charm and humouristic appeal. The filmmakers and actor Martin Freeman
succeed in bringing this transformation to the screen, but in my opinion, it
would have been more true to the heart of the story and more beneficial to its
progress to allow for the film as a whole to develop in a parallel way from the
start on. The Riddles in the Dark scene was one of those scenes strongly
anticipated by many Tolkien fans and as such also by me. I have to say that I
was not disappointed and might even say that the long moment when Bilbo looks
into Gollem’s eyes and makes the fundamental choice without which the whole
further history that is <i>The Lord of the
Rings</i> never could have ended well, is one of those scenes that will stick
in my mind forever.<o:p></o:p></span></div>
<div class="Hoofdtekst">
<br /></div>
<div class="Hoofdtekst">
<span lang="EN-GB">As we visit a lot of the same places
we did in <i>The Lord of the Rings</i>, a
large part of the music in this film is reminiscent of the existing trilogy at
many points. The themes for the Shire and Rivendell have remained the same,
with some minor arrangements here and there to keep it fresh and when Galadriel
appears we even hear parts of the old Lothlórien theme. The “In Dreams” melody
also makes a comeback, but the music that accompanies the dwarves is an
entirely new theme, characterised by the use of brass players, translating the
robust nature and mighty history of the dwarf folk, but also the nostalgic
longing to regain that history into music. This history and sense of longing is
very clear in the dwarf song that is integrated in the trailer and consequently
in the film. The song is an original poem from Tolkien, as included in the
first chapter of his Hobbit book, put to music and a beautiful accolade to the
writer’s poetic talents. However, for me, the one scene where music and image
reach their full potential has to be the one where we as viewers are soaring
through the air together with the mighty giant eagles and the music brings such
a calm and peace, as if there are no dark forces and no wars to be fought and
there never were.</span><br />
<br /></div>
<br />
<br class="Apple-interchange-newline" />
Laura Van Wymersch<br />
<br />
<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="http://2.bp.blogspot.com/-FOcZE6KrN9A/ULjO5dmHnrI/AAAAAAAAADo/CatceN20RKI/s1600/548282_4111119249785_464804928_n.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img alt="Laura Van Wymersch" border="0" src="http://2.bp.blogspot.com/-FOcZE6KrN9A/ULjO5dmHnrI/AAAAAAAAADo/CatceN20RKI/s1600/548282_4111119249785_464804928_n.jpg" height="100" title="Laura Van Wymersch" width="100" /></a></div>
<i><span style="font-size: x-small;">Laura Van Wymersch is 24 years old and studied English & Dutch Linguistics and Cultural Studies at the Catholic University of Leuven. Not only has she been one of the most loyal fans of Lumière, on November 25th, 2012 she was also our guest expert in Tolkien and the Lord of the Rings adaptations. Listen to the interview <a href="http://www.mixcloud.com/lumiere_radioscorpio/lumiere-20122511-lord-of-the-rings-special-de-ontknoping-iii/" target="_blank">here</a>. </span></i><i><span style="font-size: x-small;">Laura already wrote a blog about the Lord of the Rings that can be read <a href="http://lumiereradioscorpio.blogspot.be/2012/11/lord-of-rings-one-thing-that-films-can.html" target="_blank">here</a>.</span></i><br />
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<i><span style="font-size: x-small;"><br /></span></i></div>
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<br />Lumièrehttp://www.blogger.com/profile/03760591998799509107noreply@blogger.com0tag:blogger.com,1999:blog-7371651641276952122.post-80847978964507850782012-12-12T13:00:00.000+01:002012-12-12T13:01:15.910+01:00Best of Soundtracks on Sunday!During the last few weeks, Lumière tried to collect the most favorite soundtracks of its audience. On sunday, between 7 and 8 pm, the selected top tracks will be played and for one hour: radio scorpio will again be the place to be for your favorite music. Take your shot and <a href="https://tricider.com/en/brainstorming/beFc" target="_blank">vote</a> for your favorite tracks before the voting ends!<br />
<br />
Hear you all on sunday!Lumièrehttp://www.blogger.com/profile/03760591998799509107noreply@blogger.com0tag:blogger.com,1999:blog-7371651641276952122.post-68114985086406623962012-12-05T16:42:00.001+01:002012-12-05T16:44:02.469+01:00John Debney composes for Jobs<div class="separator" style="clear: both; text-align: center;">
<a href="http://cdn1.screenrant.com/wp-content/uploads/First-Photo-of-Ashton-Kutcher-as-Steve-Jobs.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://cdn1.screenrant.com/wp-content/uploads/First-Photo-of-Ashton-Kutcher-as-Steve-Jobs.jpg" height="210" width="400" /></a></div>
<div style="text-align: center;">
<span style="font-size: xx-small;">Picture found on screenrant.com </span></div>
<br />
Apple fans, beware! Today, an interesting post of the Internet Movie Database draw our attention. The website posted a <a href="http://www.imdb.com/media/rm2524032000/tt2357129">picture</a> of Ashton Kutcher as the former CEO of Apple: Steve Jobs on their facebook. According to the iMDB website, the life of Steve will be displayed and told in the movie titled Jobs, that will come on the big screen in 2013.<br />
<br />
For the movie, that will be more than just about Apple, John Debny will compose the soundtrack. If it will be only new composed music or if they will use songs connected to Jobs life, is not clear. Still, with a quote from the <a href="http://www.imdb.com/name/nm0002201/">iMDB</a>: "Academy award nominated John Debney is considered one of the most sought after composers in Hollywood. His unique ability to create memorable work across a variety of genres, as well as his reputation for being remarkably collaborative, have made him the first choice of top level producers and directors ..." Our expectations are high! Debney already composed for both movies and animated movies. He wrote music for disney's 'The Emperor's New Groove (2000)' and 'Sin City (2005)', just to give some examples.<br />
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Who cannot wait to see the movie, can go for the page on <a href="http://www.imdb.com/title/tt2357129/">iMDB</a>, or <a href="http://www.imdb.com/title/tt2357129/news#ni42122077">one of the articles</a>. Listen to some music of Debney <a href="http://www.youtube.com/watch?v=sK81B9G8y1M">here</a> while waiting for more.Lumièrehttp://www.blogger.com/profile/03760591998799509107noreply@blogger.com0tag:blogger.com,1999:blog-7371651641276952122.post-51385776708603164712012-12-02T17:58:00.000+01:002012-12-02T18:32:24.051+01:00Film&Piano<span style="font-family: Arial, Helvetica, sans-serif;">Zondag 2 december staat onze aflevering in teken van de relatie tussen piano en film. </span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">+ We beginnen met een interview met op het moment een van de meest opvallende jazz-pianisten in België,<b> Jef Neve</b>. Zijn output en projecten zijn zeer divers: onder andere jazz, popmuziek en soundtracks. Eerder dit jaar verscheen zijn <i>Sons of the New World, </i>waarvan hij al materiaal speelde op Pukkelpop en waarmee hij in december de Vlaamse podia afreist. Zijn <i>Sons of the New World</i> tournee zal hem ook in het buitenland brengen. Jef Neve is een van de jazzpianisten die zijn muziek bij een zo groot mogelijk publiek wil bekend maken. Hij verwelkomt dan ook samenwerkingen met popartiesten als Gabriel Rios met open armen. Daarnaast schreef hij ook de soundtrack voor Felix van Groeningens' <i>De Helaasheid der Dingen</i>, gebaseerd op het boek van Dimitri Verhulst. Voor de in 2011 verschenen <i><b>The Artist </b></i>speelde hij de pianopartijen van de soundtrack. En daarnaast schreef hij ook nog eens twee pianoconcerti. Je kan wel terecht spreken van een muzikale duizendpoot. </span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">+ We duiken de geschiedenis in naar wat bekend staat als de <b>vroege film</b> of stille film. Dat deze niet stil was is duidelijk. Vaak was er <b>muzikale omlijsting</b> door <b>pianobegeleiding</b> (geïmproviseerd, repertoire stukken uit de klassieke muziek, populaire muziek, muziek uit catalogi zoals deze van Sam Fox). Daarnaast werden ook het <b>harmonium</b>,<b> orgels</b> en voor de grote 'movie palaces' uit de jaren 1910-20 heuse <b>orkesten </b>gebruikt. Maar mechanische instrumenten zoals de <b>playerpiano</b> of <b>fonografen </b>werden ook ook gebruikt. Het is niet logisch dat het dan steeds om korte stukjes muziek gaat, fonograaf-cilinders kon namelijk maar een 3-tal minuten muziek bevatten</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;"><b>Maar dat was lang niet alles</b>. Soms was er een <b>commentato</b>r die uitleg gaf bij de beelden (of de toeschouwers tot stilte of interactie aanzette), <b>sprekers</b> achter de schermen, een <b>geluidstechnicus</b> die voor geluidseffecten zorgde. </span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">En het</span><b style="font-family: Arial, Helvetica, sans-serif;"> publiek</b><span style="font-family: Arial, Helvetica, sans-serif;"> droeg ook zijn steentje bij. Tot 1910 was cinema een waar community-gebeuren: er werd </span><b style="font-family: Arial, Helvetica, sans-serif;">gelachen, gezongen, geschreeuwd, gepraat</b><span style="font-family: Arial, Helvetica, sans-serif;">, ... Met de institutionalisering van de cinema veranderde dit evenwel. De toeschouwers' interactie werd in de juiste banen geleid (serieuze film = stilte in de zaal, komedie = lachen op het juiste moment) en vanaf 1913 was stilte zelfs de norm. </span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">Muziek en geluid in films is van een heel andere aard in de vroege periode van de cinema dan vandaag. Er was voor je jaren 1910 nog geen sprake van echte filmtheaters. Film werden bekeken in vaudeville theaters, café's of op kermissen. Dat het een heus multi-mediaal spektakel was (met bijvoorbeeld veel gezang, muzikale tussenspelen) hoeft dan niet te verbazen. </span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">De <b>pianist</b> speelde niet noodzakelijk tijdens de film en ook niet noodzakelijk de meest toepasselijke muziek. Er bestaan karikatuurprenten van pianisten die even 15 minuten pauze nemen voor een sanitaire onderbreking. Soms is er zelfs sprake van ware <b>jackass-muziek</b> die het karakter van de film helemaal ridiculiseert door "ongepaste" muziek. Rond de jaren 1910 begon men echt na te denken over welke muziek bij welk beeld paste. Hieruit vloeide<b> cue sheets, catalogi voor pianisten en handboeken</b> voort. Stukken werden gerangschikt naar een <b>gemoedstoestand </b>of iets wat men wil illustreren (Hurry Music, Agitato, Chinese, ...) De bekendste zijn deze van Sam Fox (met muziek van JS Zamecnik), Guiseppe Becce's <i>Kinothek</i> en Ernö Rapée's </span><i style=" font-family: sans-serif; line-height: 19.200000762939453px;">Encyclopedia of Music for Pictures </i><span style=" font-family: sans-serif; line-height: 19.200000762939453px;">en</span><i style=" font-family: sans-serif; line-height: 19.200000762939453px;"> </i><i style=" font-family: sans-serif; line-height: 19.200000762939453px;">Motion Picture Moods for Pianists and Organists. </i><br />
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<span style="font-family: sans-serif;"><span style="line-height: 19.200000762939453px;">De geschiedenis van de vroege film zal uitgediept worden in de eerste aflevering van de reeks "Reis doorheen de geschiedenis van de filmmuziek" die in maart 2013 geprogrammeerd staat. </span></span><br />
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<i style=" font-family: sans-serif; line-height: 19.200000762939453px;">+ </i><span style=" font-family: sans-serif; line-height: 19.200000762939453px;">Tot slot kijken we naar drie recentere films en welke rol de piano hier speelt:</span><br />
<span style=" font-family: sans-serif; line-height: 19.200000762939453px;"><i>Shine</i> (1996)</span><br />
<span style=" font-family: sans-serif; line-height: 19.200000762939453px;"><i>The Pianist</i> (2002)</span><br />
<span style=" font-family: sans-serif; line-height: 19.200000762939453px;"><i>La tourneuse des pages</i> (2006) </span><br />
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<span style="font-family: sans-serif;"><span style="line-height: 19.200000762939453px;">Hier alvast een voorsmaakje: </span></span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span>Lumièrehttp://www.blogger.com/profile/03760591998799509107noreply@blogger.com0tag:blogger.com,1999:blog-7371651641276952122.post-61318373326844275812012-11-30T10:09:00.000+01:002012-11-30T16:24:01.981+01:00Lord of the Rings: "the one thing that films can do better than books"<br />
When I first saw the first chapter of The Lord of the Rings in theatres, I was overwhelmed. Overwhelmed and intrigued by a new world that opened up before my eyes and was so extraordinary and complex that I just had to find out more about it. So I dove into every and any Tolkien book I could find, until that world started to take shape inside my head. I became so invested in this “Middle-Earth” and the story of The Lord of the Rings that when I saw the second movie, I was at first bothered by the “mistakes” I saw on the screen. It didn’t take long though before I realised that the changes these filmmakers made were actually no mistakes at all. The adjustments they made were based on a deep understanding of the story and its driving forces and of the medium they were using. They understood that what works in a book, does not necessarily work on film and vice versa, so changes need to be made to ensure that the story doesn’t lose some of its power when translated into a different medium. Peter Jackson, Fran Walsh and Phillipa Boyens, who wrote the screenplay, did exactly that. What is more, they managed to bring into the story some of the material that Tolkien himself would have loved to integrate into his trilogy, but could not find a way or a place to do so. I am talking of course about the love story of Arwen and Aragorn, a story line that much to the writer’s grief was relegated to the appendices at the end of The Lord of the Rings. The three script writers however managed to integrate the epic love between these two characters into the main story in a way that makes it almost impossible to imagine the trilogy without its inclusion. Through all this, they manage to stay true to the characters and to honour the authenticity of the story and the fantastical world, turning what Tolkien himself called an unfilmable book into an Oscar winning film production.<br />
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The music of this film trilogy, composed by Howard Shore, plays a big role in the success of these movies and in the bringing to life of Middle-Earth on the big screen. It is said that Shore regarded the scoring of these films as his chance to write an opera. The three acts therefore blend together beautifully, but more importantly, he gave every people of Middle-Earth its own theme and its own sound. For the simple, nature loving Hobbits of the Shire, he chose a wooden flute and a warm, peaceful melody, while he brought the mystical Elves to life with much more ethereal, exotic sounds, produced by instruments that sound very strange to the Western ear, complementing their not-from-this-world appearance. For the Dwarves, he found inspiration in the fact that they are a miner's folk and integrated hammering and very rhythmic male vocals. He also translated Tolkien's disapproval of industrialisation into sound. The overwhelming music that can be heard when diving into the production fires of Isengard is written in the rather unusual 4/5 time, that feels very forced and unnatural, as if it keeps stumbling. It still sounds very threatening though, as it should, since this is where a large part of the destruction of Middle-Earth is forged and bred. The force of the Ents of Fangorn forest however, is also one to be reckoned with. Shore wasn't afraid to experiment with different sounds to find the right companion for Treebeard the Ent and the dark forest he lives in. What he came up with, sounds very earth-like and tree-like, with a lot of wooden percussion instruments calling the tune. On the contrary, the realms of Men, Rohan and Gondor, are given a much more recognisable and “human” sound, with a Norwegian Fiddle as the lead instrument for the Scandinavian inspired Rohirrim and a French horn accompanying the more bombastic Gondorians.<br />
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When a number of these people meet in the battle of Helm’s Deep, these different sounds also fight each other. When we see the Elves ready for combat, we hear the same melody that we heard before in Lothlórien, but now in full battle mode. Soon after however, the Uruk-Hai start storming the keep and the unwholesome music of Saruman quickly takes over. This overwhelming piece of music contrasts sharply with some of the other battle scenes throughout the trilogy. For example, when when Faramir and his cavalry storm Osgilliath, the lone voice of a singing Pippin is nearly all that accompanies them. Somehow, this emphasises the madness behind the attack and the tragic end that certainly awaits them down by the river. The music is also used as a tool to differentiate between Gollum’s two sides: a melancholic, sad, pitiful sound for his good side, Sméagol, and a much creepier sound for his bad, manipulative side.<br />
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On the one hand, Howard Shore thus succeeded in establishing an emotional link to Middle-Earth through his music, while on the other hand giving depth to the cultures that inhabit this mythical world, in a way that is very close to Tolkien. The writer himself wrote down numerous songs and poems to the pages of his books, but their melody would always merely exist in the heads of the readers. This might be the one thing that films can do better than books and the one thing that Tolkien might have liked about the adaptation of his work. He meant for his work to be an English mythology that would serve as inspiration for artists to create more artistic work and that is exactly the desire that Shore answered to.<br />
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Laura Van Wymersch<br />
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<i><span style="font-size: x-small;">Laura Van Wymersch is 24 years old and studied English & Dutch Linguistics and Cultural Studies at the Catholic University of Leuven. Not only has she been one of the most loyal fans of Lumière, on November 25th, 2012 she was also our guest expert in Tolkien and the Lord of the Rings adaptations. Listen to the interview <a href="http://www.mixcloud.com/lumiere_radioscorpio/lumiere-20122511-lord-of-the-rings-special-de-ontknoping-iii/" target="_blank">here</a>. </span></i><br />
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Lumièrehttp://www.blogger.com/profile/03760591998799509107noreply@blogger.com0tag:blogger.com,1999:blog-7371651641276952122.post-71198861425574969692012-11-11T16:46:00.000+01:002012-11-11T16:54:37.899+01:00Brian Byrne: the interviewOn the World Soundtrack Awards we spoke with the Irish movie composer Brian Byrne. From now on you can watch the whole interview here.<br />
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In our episode about Ireland we played some of his music. Listen here to these great moments.<br />
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Feel free to leave comments!Lumièrehttp://www.blogger.com/profile/03760591998799509107noreply@blogger.com0tag:blogger.com,1999:blog-7371651641276952122.post-39307267578605690302012-11-03T16:00:00.005+01:002012-11-03T16:00:58.025+01:00"Rond de wereld met filmmuziek" (V): Spanje <span style="font-family: Arial, Helvetica, sans-serif;">Beste Lumières! </span><div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Het is je de laatste weken allicht opgevallen: we toverden onze onze uitzending om tot een ontdekkingsschip dat ons voerde naar Italië, India, Rusland en vorige week Ierland. We verlaten de kusten van Ierland en Seán Ó Riada's volkse en traditionele klanken en zetten koers naar <b>Spanje</b>. Onze stoomboot brengt ons niet Sint Nicolas, maar wel onder andere Pedro Almodovar en Alberto Iglesias. Deze laatste was een aantal weken geleden nog op de World Soundtrack Awards in Gent.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Wat kan je <b>zondag 4 november bij Lumière</b> verwachten? </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">+ Omdat de temperaturen waarschijnlijk niet boven de 10°C zullen klimmen, en regenbuien ook niet zullen uitblijven zullen we je vervoeren náár en ontroeren mét Iberisch schiereiland en haar (film)muziek: </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">- Een interview met <b>Spaanse Hollywood filmcomponist</b> </span><a href="http://www.imdb.com/name/nm2227608/" style="font-family: Arial, Helvetica, sans-serif;" target="_blank">Lucas Vidal</a><span style="font-family: Arial, Helvetica, sans-serif;">. </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">- Een vergelijking tussen twee samenwerkingen die van groot belang zijn geweest voor de Spaanse film(muziek)industrie: <b>Carlos Saura</b>/<b>Luis de Pablo</b> en<b> </b></span><span style="font-family: Arial, Helvetica, sans-serif;"><b>Pedro Almodovar</b>/<b>Aberto Iglesias </b></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">- Een live-interview met twee schiereiland-bewoners met een grote passie voor cultuur, literatuur, muziek, film: <b>Curro Fuentes</b> (University of Murcia: MA European Compartive Lietrature, PhD) en <b>Ana Alvarez</b> (KULeuven: MA Antroplogie) </span><span style="font-family: Arial, Helvetica, sans-serif;"> </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">+ Een<b> nieuw boek</b> voor ons <b>film&literatuur spel</b>. </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">- Foto (rechts). Het boek van oktober: To Kill A Mocking Bird met de score van Elmer Bernstein die ons terug naar de kindertijd brengt. </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">- Foto (links). Het boek van november. Mooi ingekaft om ons geheim te bewaren. </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Thuis kan je al wel een gokje doen, <b>mail je antwoord</b> naar<b> lumiere.radioscorpio@gmail.com</b> en wie weet win je wel een cinema ZED ticket! </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">+ </span><span style="font-family: Arial, Helvetica, sans-serif;"> <b>Laurence </b></span><span style="font-family: Arial, Helvetica, sans-serif;"><b>Rosenthal</b> wordt zondag 4 november 86 jaar. Wij brengen een ode aan de filmcomponist</span><span style="font-family: Arial, Helvetica, sans-serif;"> die we reeds tegenkwamen toen we je vijftig jaar mee de tijd in namen met zijn mooie score voor <b>The Miracle Worker</b> (1962).</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>Volgende week</b> sluiten wij "Rond de wereld met filmmuziek" af met onze verste muzikale reis: Japan. </span><span style="font-family: Arial, Helvetica, sans-serif;"><b>Máár</b>, <b>we willen onze expeditie niet beeïndigen zonder jouw inbreng. </b></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>Bepaal dus mee</b> waar "Rond de wereld met filmmuziek" (VII) een laatste halte houdt en</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">mail je voorstel naar lumiere.radioscorpio@gmail.com. </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Hier onder al een <b>opwarmer</b>: morgen meer over het beeld waarbij deze muziek hoort. </span></div>
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<object width="320" height="266" class="BLOGGER-youtube-video" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0" data-thumbnail-src="http://0.gvt0.com/vi/_6nUWwLkKpw/0.jpg"><param name="movie" value="http://www.youtube.com/v/_6nUWwLkKpw&fs=1&source=uds" /><param name="bgcolor" value="#FFFFFF" /><param name="allowFullScreen" value="true" /><embed width="320" height="266" src="http://www.youtube.com/v/_6nUWwLkKpw&fs=1&source=uds" type="application/x-shockwave-flash" allowfullscreen="true"></embed></object></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Alberto Igelsias - El amante menguante (Hable con Ella OST) </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Tot morgen! </span></div>
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Lumièrehttp://www.blogger.com/profile/03760591998799509107noreply@blogger.com0tag:blogger.com,1999:blog-7371651641276952122.post-70060279335397429212012-10-25T21:12:00.002+02:002012-11-17T11:36:43.707+01:00Soundtrack The Broken Circle Breakdown<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><div style="text-align: left;">
<span style="text-align: -webkit-auto;">Todays hottest Belgian movie is with no doubt 'The Broken Circle Breakdown'. This movie, directed by Felix Van Groeningen, opened and closed the Film Festival of Ghent. With their performance on the World Soundtrack Awards the importance of the movie music of the film got to the fore. The genre of the soundtrack isn't the stereotype of country and bluegrass music. Bjorn Ericksson rewrote existing classics in the </span>country- & bluegrass-repertoire<span style="text-align: -webkit-auto;"> creatively for, for instance, the voices of Veerle Baetens and Johan Heldenbergh.</span></div>
<div style="text-align: left;">
<br /></div>
<a href="http://2.bp.blogspot.com/-Wbk-QLj9b4w/UIk2wjqPZFI/AAAAAAAAACg/N85eltPwB3M/s1600/IMG_0445.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="265" src="http://2.bp.blogspot.com/-Wbk-QLj9b4w/UIk2wjqPZFI/AAAAAAAAACg/N85eltPwB3M/s400/IMG_0445.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">cast Broken Circle Breakdown live at the WSA (c) Bert Wastijn</td></tr>
</tbody></table>
Who watched the movie can tell that the soundtrack is not just supporting the story but is standing in constant relation to all the aspects of this film. Not only because the main characters are no doubt the key figures of a bluegrass band that perform in diverse scenes. Also the lyrics connect with different layers in the soundtrack and the story. We can state that the music is one of the important elements that take this film to a higher level and make it even more touching.<br />
<br />
For huge fans of this tupe of bluegrass music and for those who want to hear more movie music of this kind, the Original SoundTrack (OST) is already available in multimedia stores. It contains 15 tracks, as shown below:<br />
<br />
<br />
<div style="text-align: center;">
<b>1. Will the Circle Be Unbroken</b></div>
<div style="text-align: center;">
Johan Heldenberg : voice</div>
<div style="text-align: center;">
Bjorn Eriksson : voice, guitar</div>
<div style="text-align: center;">
Karl 'Hank van Damme' Eriksson : voice , banjo</div>
<div style="text-align: center;">
Geert Waegeman : mandoline</div>
<div style="text-align: center;">
Nils de Caster : voice , violin</div>
<div style="text-align: center;">
Lenn Dauphin : bass</div>
<div style="text-align: center;">
<b><br /></b></div>
<div style="text-align: center;">
<b>2. The Boy Who Wouldn't Hoe Corn</b></div>
<div style="text-align: center;">
Johan Heldenberg : voice, banjo </div>
<div style="text-align: center;">
Veerle Baetens : voice </div>
<div style="text-align: center;">
Bjorn Eriksson : dobro, guitar</div>
<div style="text-align: center;">
Karl 'Hank van Damme' Eriksson : banjo</div>
<div style="text-align: center;">
Geert Waegeman : violin</div>
<div style="text-align: center;">
Nils de Caster : mandoline</div>
<div style="text-align: center;">
Lenn Dauphin : bass</div>
<div style="text-align: center;">
<b><br /></b></div>
<div style="text-align: center;">
<b>3. Dusty Mixed Feelings</b></div>
<div style="text-align: center;">
Bjorn Eriksson : guitar</div>
<div style="text-align: center;">
<b><br /></b></div>
<div style="text-align: center;">
<b>4. Wayfaring Stranger</b></div>
<div style="text-align: center;">
Veerle Baetens : voice</div>
<div style="text-align: center;">
Bjorn Eriksson : dobro</div>
<div style="text-align: center;">
Karl 'Hank van Damme' Eriksson: guitar</div>
<div style="text-align: center;">
Nils de Caster : violin</div>
<div style="text-align: center;">
Lenn Dauphin : bass</div>
<div style="text-align: center;">
<b><br /></b></div>
<div style="text-align: center;">
<b>5. Rueben's Train</b></div>
<div style="text-align: center;">
Bjorn Eriksson : guitar</div>
<div style="text-align: center;">
Karl 'Hank van Damme' Eriksson : banjo</div>
<div style="text-align: center;">
Geert Waegeman : mandoline</div>
<div style="text-align: center;">
Nils de Caster : violin</div>
<div style="text-align: center;">
Lenn Dauphin : bass</div>
<div style="text-align: center;">
<b><br /></b></div>
<div style="text-align: center;">
<b>6. Country in My Genes</b></div>
<div style="text-align: center;">
Veerle Baetens : voice</div>
<div style="text-align: center;">
Bjorn Eriksson : guitar</div>
<div style="text-align: center;">
Karl 'Hank van Damme' Eriksson : banjo</div>
<div style="text-align: center;">
Nils de Caster : mandoline</div>
<div style="text-align: center;">
Geert Waegeman : violin</div>
<div style="text-align: center;">
Johan Heldenberg : backingvocal</div>
<div style="text-align: center;">
Lenn Dauphin : bass</div>
<div style="text-align: center;">
<b><br /></b></div>
<div style="text-align: center;">
<b>7. Further On up the Road</b></div>
<div style="text-align: center;">
Johan Heldenberg : voice, banjo</div>
<div style="text-align: center;">
Bjorn Eriksson : dobro</div>
<div style="text-align: center;">
Karl 'Hank van Damme' Eriksson : guitar</div>
<div style="text-align: center;">
Nils de Caster : violin</div>
<div style="text-align: center;">
Geert Waegeman : mandoline</div>
<div style="text-align: center;">
Lenn Dauphin : bass</div>
<div style="text-align: center;">
<b><br /></b></div>
<div style="text-align: center;">
<b>8. Where Are Heading, Tumbleweed?</b></div>
<div style="text-align: center;">
Bjorn Eriksson : Ukelele, autoharp, e-bow guitars, bass, national guitar</div>
<div style="text-align: center;">
<b><br /></b></div>
<div style="text-align: center;">
<b>9. Over in the Gloryland</b></div>
<div style="text-align: center;">
Veerle Baetens : voice</div>
<div style="text-align: center;">
Johan Heldenberg : guitar, voice</div>
<div style="text-align: center;">
Bjorn Eriksson : guitar, voice</div>
<div style="text-align: center;">
Karl 'Hank van Damme' Eriksson : voice</div>
<div style="text-align: center;">
Nils de Caster : voice</div>
<div style="text-align: center;">
Geert Waegeman : mandoline</div>
<div style="text-align: center;">
Lenn Dauphin : bass, voice</div>
<div style="text-align: center;">
<b><br /></b></div>
<div style="text-align: center;">
<b>10. Cowboy Man</b></div>
<div style="text-align: center;">
Johan Heldenberg : voice</div>
<div style="text-align: center;">
Bjorn Eriksson : guitar, backingvocal</div>
<div style="text-align: center;">
Karl 'Hank van Damme' Eriksson : banjo</div>
<div style="text-align: center;">
Nils de Caster : violin, backingvocal</div>
<div style="text-align: center;">
Geert Waegeman : mandoline</div>
<div style="text-align: center;">
Lenn Dauphin : bass</div>
<div style="text-align: center;">
<b><br /></b></div>
<div style="text-align: center;">
<b>11. If I Needed You</b></div>
<div style="text-align: center;">
Johan Heldenberg : voice</div>
<div style="text-align: center;">
Veerle Baetens : voice</div>
<div style="text-align: center;">
Bjorn Eriksson : national guitar</div>
<div style="text-align: center;">
Lenn Dauphin : bass</div>
<div style="text-align: center;">
Nils de Caster : viool</div>
<div style="text-align: center;">
<b><br /></b></div>
<div style="text-align: center;">
<b>12. Carved Tree Inn</b></div>
<div style="text-align: center;">
Bjorn Eriksson : national guitars, bass</div>
<div style="text-align: center;">
<b><br /></b></div>
<div style="text-align: center;">
<b>13. Sand Mountain</b></div>
<div style="text-align: center;">
Bjorn Eriksson : dobro</div>
<div style="text-align: center;">
Karl 'Hank van Damme' Eriksson : banjo</div>
<div style="text-align: center;">
David Buyle : violin</div>
<div style="text-align: center;">
Geert Waegeman : mandoline</div>
<div style="text-align: center;">
Peter Pask : guitar</div>
<div style="text-align: center;">
Lenn Dauphin : bass</div>
<div style="text-align: center;">
<b><br /></b></div>
<div style="text-align: center;">
<b>14. Sister Rosetta Goes Before Us</b></div>
<div style="text-align: center;">
Veerle Baetens : voice</div>
<div style="text-align: center;">
Bjorn Eriksson : national guitar, banjo, string arrangement</div>
<div style="text-align: center;">
Nils de Caster : violin</div>
<div style="text-align: center;">
Geert Waegeman : violin, alto violin</div>
<div style="text-align: center;">
Nathalie Delcroix : backingvocals</div>
<div style="text-align: center;">
Charlotte Vandermeersch : backing vocals</div>
<div style="text-align: center;">
<b><br /></b></div>
<div style="text-align: center;">
<b>15. Blackberry Blossom</b></div>
<div style="text-align: center;">
Bjorn Eriksson : guitar</div>
<div style="text-align: center;">
Karl 'Hank van Damme' Eriksson : banjo</div>
<div style="text-align: center;">
Geert Waegeman : mandoline</div>
<div style="text-align: center;">
Lenn Dauphin : bass</div>
<br />
<br />
<div style="text-align: center;">
<span style="font-size: x-small;"><a href="http://www.humo.be/extras-bij-humo/176215/deze-week-bij-humo-soundtrack-van-the-broken-circle-breakdown" target="_blank">(source: HUMO)</a></span></div>
<br />
To see what the film is about, we suggest you go to a local cinema or try to get to watch this flemish production. But for a sneak peek on the music, we add a video of one of the tracks the cast performed live on the World Soundtrack Awards Ceremony.<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/e6Ikw11Gn4Y?feature=player_embedded' frameborder='0'></iframe></div>
<br />
For more information on the soundtrack and the live tour, visit <a href="http://www.thebrokencirclebreakdown.be/en/music/concert" target="_blank">this website</a>.Lumièrehttp://www.blogger.com/profile/03760591998799509107noreply@blogger.com0tag:blogger.com,1999:blog-7371651641276952122.post-61422163682263005912012-10-21T14:01:00.002+02:002012-10-21T14:01:51.358+02:00World Soundtrack Awards 2012<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: justify;"><tbody>
<tr><td style="text-align: center;"><a href="http://3.bp.blogspot.com/-rDls3pl1P7s/UIPcneiQWXI/AAAAAAAAAB4/15y68G9sPVU/s1600/IMG_0302.JPG" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img alt="" border="0" height="212" src="http://3.bp.blogspot.com/-rDls3pl1P7s/UIPcneiQWXI/AAAAAAAAAB4/15y68G9sPVU/s320/IMG_0302.JPG" title="Persconferentie WSA" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Pressconference WSA (c) Bert Wastijn</td></tr>
</tbody></table>
<div style="text-align: justify;">
Gisteren vonden de twaalfde World Soundtrack Awards plaats in 't Kuipke van Gent. Op zaterdag 20 oktober 2012 begon om 11 uur een persconferentie 'slash' Meet&Greet met Dirk Brossé, James Newton Howard, Pino Donaggio en Alex Heffes. (1) Aansluitend hadden amateurcomponisten de mogelijkheid om aan te sluiten bij een Masterclass met nog meer internationale componisten. Ieder met wat lef kon voor, tijdens en na deze momenten met hun vragen bij hen langs. De meest memorabele uitspraak was toch van Newton Howard: "I am an afwul conducter ... I just swing my arm like everybody can. I just love to do it."</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<br /></div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: justify;"><tbody>
<tr><td style="text-align: center;"><a href="http://2.bp.blogspot.com/-BKU25Ygl6Vk/UIPgBkEHJ0I/AAAAAAAAACM/oal7YT-JolA/s1600/IMG_0319.JPG" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img alt="" border="0" height="213" src="http://2.bp.blogspot.com/-BKU25Ygl6Vk/UIPgBkEHJ0I/AAAAAAAAACM/oal7YT-JolA/s320/IMG_0319.JPG" title="Alberto Iglesias" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Alberto Iglesias (c) Bert Wastijn</td></tr>
</tbody></table>
<div style="text-align: justify;">
's Avonds vond de World Soundtrack Academy Award Ceremony plaats waarbij de langverwachte prijzen werden uitgereikt. Een kort overzicht van de gelukkigen. Twee componisten liepen met een dubbele prijs weg: Alberto Iglesias werd beloond als Film Composer of the Year 2012 voor zijn muziek in de film ‘Le Moine’ (‘The Monk’), ‘La Piel Que Habito’ (The Skin I Live In) en ‘Tinker, Tailor, Soldier, Spy’. Met deze laatste film kaapte hij ook de award voor Best Original Film Score of the Year weg.</div>
<div style="text-align: justify;">
<br /></div>
<br />
<div style="text-align: justify;">
Brian Byrne, een Ierse componist die naar Amerika verhuisde, ontving de World Soundtrack Award boor Best Original Song Written for Film boor ’Lay Your Head Down’ from the film ‘Albert Nobbs’. Dit nummer was naar zijn mening "not supposed to happen". Glen Close schreef voor dit nummer de lyrics en samen met Sinead O'Conner werd dit een pareltje. Hij kaapte ook de Discovery of the Year Award weg.<br />
<br /></div>
<div style="text-align: justify;">
<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' src='https://www.youtube.com/embed/JVnPR1zoIvw?feature=player_embedded' frameborder='0'></iframe></div>
<br /></div>
<div style="text-align: justify;">
De Public Choice Award ging naar Abel Korzeniowski voor de film ‘W.E.’, Pino Donaggio ontving de World Soundtrack Lifetime Achievement Award en de Sabam Award for Best Young European Composer was weggelegd voor Valentin Hadjadj. Het 'huisorkest' van de World Soundtrack Academy, het Brussels Philharmonic, ontving het Certificate of Outstanding Recognition.</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Wilt u toch graag nog meer info? Breng <a href="http://www.filmfestival.be/about2.cgi?go=detail&id=1803&lang=en" target="_blank">deze website</a> gerust een bezoekje.</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
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<div style="text-align: justify;">
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<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
(1) Later verschijnt deze samenkomst integraal op de blog. Ook onze interviews met Brian Byrne, David Wingo en Lucas Vidal komen integraal hier terecht. Hou ons in de gaten!</div>
Lumièrehttp://www.blogger.com/profile/03760591998799509107noreply@blogger.com0tag:blogger.com,1999:blog-7371651641276952122.post-67181061759441747452012-10-18T10:06:00.001+02:002012-10-18T10:09:27.749+02:00The Russian action movie: the sociological poetry of criminality<!--[if gte mso 9]><xml>
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<br />
<div class="MsoNormal">
<span class="Apple-style-span" style="color: #f3f3f3; font-family: Arial, Helvetica, sans-serif;"><b>A little
history</b></span></div>
<div class="MsoNormal">
<span class="Apple-style-span" style="color: #f3f3f3;"><br /></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span class="Apple-style-span" style="color: #f3f3f3; font-family: Arial, Helvetica, sans-serif;"><span lang="NL-BE">The russian action movie of the 90s was
highly influenced by the historical and cultural context of that time. During
the early 90s – during and after the fall of USSR – there was a huge wave of
criminality throughout the country. Almost all goverment structures lost all
their influence and the power came into the hands of criminal group (bandits).
These groups had specific territories of influence. For example, Moscow was controlled
by 6 bandit groups</span><span lang="RU" style="mso-ansi-language: RU;">. </span><span lang="EN-US" style="mso-ansi-language: EN-US;">The criminal groups not only owned their own businesses and property but
also “roofed” </span><span lang="RU" style="mso-ansi-language: RU;">(“крышовать” </span><span lang="EN-US" style="mso-ansi-language: EN-US;">[krishovat'] - from the russian word
“</span><span lang="RU" style="mso-ansi-language: RU;">крыша</span><span lang="EN-US" style="mso-ansi-language: EN-US;">' [krisha] - “roof” - controlled,
defended from other criminal groups, collected money from – usually monthy)
most organizations (however small) that were in their zone/territory of
influence. It is not a secret that those memebers of bandit
organizations/groups that survived the 90s – for it is obvious that some of
them didn't, a lot of conflicts between groups were solved with viloence – have
afterwards become successful businessmen. This does not, however, mean that all Russian businessmen have a crimial background, although there is always a
possibility of that being the case. <o:p></o:p></span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span lang="EN-US" style="color: #f3f3f3; mso-ansi-language: EN-US;"><br /></span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-US" style="mso-ansi-language: EN-US;"><span class="Apple-style-span" style="color: #f3f3f3; font-family: Arial, Helvetica, sans-serif;">The
depiction of those times in film in literature has specific features. We can
see that in film and literature banditism is in a way romantisied. The
protagonist (a lot of times a member of a criminal group) becomes a
pseudo-romantic hero – individualistic and lonely, overcoming hardships,
abolishing old idols and searching for new ones. </span></span></div>
<div class="MsoNormal" style="text-align: justify;">
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<span lang="NL-BE"><o:p><span class="Apple-style-span" style="color: #f3f3f3; font-family: Arial, Helvetica, sans-serif;"><br /></span></o:p></span></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;"><span class="Apple-style-span" style="color: #f3f3f3; font-family: Arial, Helvetica, sans-serif;"><b>The
protagonist</b></span></span></div>
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<span class="Apple-style-span" style="color: #f3f3f3; font-family: Arial, Helvetica, sans-serif;"><span lang="NL-BE">Analyzing (or simply watching) a russian
action movie we have to keep in mind that it is in a lot of ways different from
the classical Hollywood action film. However, I will not focus here on the
differences and will not make a comparative analysis, but w</span><span lang="EN-US" style="mso-ansi-language: EN-US;">ill</span><span lang="NL-BE"> briefly
describe the main characteristics of the russian action film.</span></span></div>
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<span class="Apple-style-span" style="color: #f3f3f3;"><br /></span></div>
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<span class="Apple-style-span" style="color: #f3f3f3; font-family: Arial, Helvetica, sans-serif;"><span lang="NL-BE">The main hero (protagonist) of the action
movie does not exist outside of </span><span lang="EN-US" style="mso-ansi-language: EN-US;">action and movement </span><span lang="RU" style="mso-ansi-language: RU;">— </span><span lang="NL-BE">only in actions </span><span lang="EN-US" style="mso-ansi-language: EN-US;">he obtains his character and appearance. In the Russian action film
there is always only one protagonist, there can not be two, three or a group of
them – this fact correlates with the main characteristic of the hero – although
he is the main focus point of the story and everything revolves around him, he
exists separately from his surrondings, he stands out, there is no ahrmony
between him and the world he lives in.<o:p></o:p></span></span></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;"><span class="Apple-style-span" style="color: #f3f3f3; font-family: Arial, Helvetica, sans-serif;">The hero
usually doesn't have a family – he could be an orphan – but even if he does,
there is never a father, but just the melanholic image of his “greyhaired
mother” (“the mother whose hair turned grey too soon” - from the work of Dubin
- a russian researcher of cultural studies). Despite this the construction of
the personage does not obtain a shade of weakness but seems stronger and even
more selfsufficient.</span></span></div>
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<span class="Apple-style-span" style="color: #f3f3f3;"><br /></span></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;"><span class="Apple-style-span" style="color: #f3f3f3; font-family: Arial, Helvetica, sans-serif;">A very
important element of the russian action film is the presence of the “teacher”
or mentor that, in a way, substitutes the father that the hero never had. The
teacher is a figure of power and strength, he is the moral idol of the
protagonist. The teacher does not have power over the protagonist, but only
helps him to discover his enormous inner source of will.</span></span></div>
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<span class="Apple-style-span" style="color: #f3f3f3;"><br /></span></div>
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<span lang="EN-US" style="color: #f3f3f3; mso-ansi-language: EN-US;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">The fact
that the protagonist has a moral idol does not mean he cannot (and will not)
destroy/abolish those morals and idols. The protagonist of the action film can
do anything – space and time are in his hands, the events in the movie only
happen because of him. Accourding to Dubin - “...there is no limit to his
abilities (capasities)...”. The protagonist is fighting against the evil of the
world, he wants to destroy the heart of it.. and we know he can do it.</span><o:p></o:p></span></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;"><span class="Apple-style-span" style="color: #f3f3f3; font-family: Arial, Helvetica, sans-serif;">Diana Goderich</span></span></div>
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<a href="http://2.bp.blogspot.com/-mTbGyQjOc0s/UH-3ftJA5mI/AAAAAAAAABo/03Gt8fclmVg/s1600/IMG_9703.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><span class="Apple-style-span" style="color: #f3f3f3;"><img border="0" height="200" src="http://2.bp.blogspot.com/-mTbGyQjOc0s/UH-3ftJA5mI/AAAAAAAAABo/03Gt8fclmVg/s200/IMG_9703.JPG" width="133" /></span></a></div>
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<i><span class="Apple-style-span" style="color: #f3f3f3; font-size: x-small;"><span lang="EN-US"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Diana is a </span></span><span class="Apple-style-span" style="border-collapse: collapse; font-family: arial, sans-serif;">21 years old student Russia, Moscow. She's polish, russian, ukrainian and cuban - all in one. </span><span class="Apple-style-span" style="border-collapse: collapse; font-family: arial, sans-serif;">In 2008 she graduated from Physic-Mathematics School of Novosibirsk State University - a boarding school in the middle of Siberia, specializing in technical education. She has a</span><span class="Apple-style-span" style="border-collapse: collapse; font-family: arial, sans-serif;"> bachelor degree in the Russian State University for the Humanities in 2012 - specialization "History and Theory of Culture". Now she studies a Master in Cultural Studies in Europe (Belgium) at the Catholic University of Leuven.</span></span></i></div>
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<i><span class="Apple-style-span" style="font-size: x-small;"><span class="Apple-style-span" style="border-collapse: collapse; color: #f3f3f3; font-family: arial, sans-serif;"><br /></span></span></i></div>
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<i><span class="Apple-style-span" style="font-size: x-small;"><span class="Apple-style-span" style="border-collapse: collapse; color: #f3f3f3; font-family: arial, sans-serif;">Diana is a guestblogger for Lumière. Want to read more? Want to write something yourself? Let us know: lumière.radioscorpio@gmail.com!</span></span></i></div>
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<!--EndFragment-->Lumièrehttp://www.blogger.com/profile/03760591998799509107noreply@blogger.com0tag:blogger.com,1999:blog-7371651641276952122.post-50917227401665925652012-10-14T16:06:00.001+02:002012-10-18T15:42:31.573+02:00India of Bollywood?Voor de uitzending van vanavond, stoppen we bij het tweede land in onze wereldreis door de filmmuziek: India. Dankzij enkele enthousiaste luisteraars en supporters werden er twee films naar voor geschoven die hen (jullie dus) aan India en Bollywood doen denken.<br />
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// Wil je vanavond meer horen over Slumdog Millionaire?<br />
<br />
// Ben je gebeten door de filmindustrie of gewoon nieuwsgierig wat Bollywood nu precies is?<br />
<br />
// Ben jij de winnaar van onze film&literatuurprijsvraag of gewoon de gelukkige bij de 'social media'-wedstrijd (facebook: Lumière en twitter: @LumiereRS)?<br />
<br />
// Wil je graag iets horen over James bond?<br />
<br />
Luister dan vanavond tussen 7 en 8 naar Radio Scorpio (via www.radioscorpio.be of 106 FM in leuven)!<br />
<br />
Geniet alvast van deze smaakmaker: <br />
<br />
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<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/myoVLMnKw2M?feature=player_embedded' frameborder='0'></iframe></div>
<br />Lumièrehttp://www.blogger.com/profile/03760591998799509107noreply@blogger.com0tag:blogger.com,1999:blog-7371651641276952122.post-74326606193594191462012-10-07T17:32:00.004+02:002012-10-07T17:32:47.602+02:00Lumière 2012.7.10: Italië; oude filmscores en een nieuw boek!<span style="font-family: Arial, Helvetica, sans-serif;">Lieve cinemusicofielen! </span><div>
<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span></div>
<div>
<span style="font-family: Arial, Helvetica, sans-serif;">We hebben weer een mooie aflevering klaarstaan, </span></div>
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<div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span></div>
<div>
<span style="font-family: Arial, Helvetica, sans-serif;">+ we gaan van start met onze eerste "De wereld rond met filmmuziek", we beginnen in Italië met </span><span style="font-family: Arial, Helvetica, sans-serif;">Federico Fellini en zijn trouwe filmcomponist Nino Rota</span></div>
<div>
<span style="font-family: Arial, Helvetica, sans-serif;">en bekijken en beluisteren we<i> La vita è bella </i>dichterbij</span></div>
<div>
<br /></div>
<div>
<span style="font-family: Arial, Helvetica, sans-serif;">+ we introduceren we een nieuw boek voor ons film&literatuurspel, doe mee en win tickets!</span></div>
<div>
<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span></div>
<div>
<span style="font-family: Arial, Helvetica, sans-serif;">+ we eren we een van de vroegste scores uit de geschiedenis van de filmmuziek, deze van Camillie Siant-Saëns voor<i> L'Assasinat du Duc de Guise </i>(uit 1908)</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">en Stanley Myers</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Hieronder alvast een opwarmertje! </span></div>
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Lumièrehttp://www.blogger.com/profile/03760591998799509107noreply@blogger.com0tag:blogger.com,1999:blog-7371651641276952122.post-5378003279055944952012-09-30T21:25:00.001+02:002012-09-30T21:25:25.541+02:00Special: The French New Wave - Godard I<span style="font-family: Arial, Helvetica, sans-serif;">+ We eindigen de maand september met een special, namelijk een uitzending rond de franse New Wave. We focussen daarbij op een regisseur, Jean-Luc Godard. </span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">Vaak gebeuren er rare dingen op de soundtrack, en daar kom je in deze aflevering alles over te weten. </span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">We laten u alvast even genieten van een musical-a-like fragmentje met de mooie Anna Karina: </span><br />
<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span>
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<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/W3fc7ilA3o0?feature=player_embedded' frameborder='0'></iframe></div>
<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span>
<span style="font-family: Arial, Helvetica, sans-serif;">+ We vroegen Florien Wyffels wat meer over de soundtrack van Pulsar (2011). </span><br />
<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span>
<span style="font-family: Arial, Helvetica, sans-serif;">+ Vergeet niet te blijven mailen naar lumiere.radioscorpio@gmail.com met suggesties die je vindt bij de beste 100 scores op de website van het <a href="http://afi.com/100years/scores.aspx" target="_blank">American Film Institute </a></span><br />
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<br />Lumièrehttp://www.blogger.com/profile/03760591998799509107noreply@blogger.com0tag:blogger.com,1999:blog-7371651641276952122.post-70016850543452211092012-09-29T11:50:00.000+02:002012-09-29T11:54:57.323+02:00Filmfestival Gent 2012<span style="font-family: Arial, Helvetica, sans-serif;">Heeft u op zondag de ontknoping gemist? Luister dan gerust naar onze cloudcast!</span><br />
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<span style="color: #f3f3f3; font-family: Arial, Helvetica, sans-serif;">En bent u nieuwsgierig naar wat het filmfestival van Gent dit jaar te bieden heeft? Dan hebben wij voor u enkele kleine highlights!</span></div>
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<span style=" color: #f3f3f3; font-family: Arial, Helvetica, sans-serif;">Wist u dat, indien u niet aanwezig kunt zijn in Gent, er dit jaar ook een 'Filmfestival On Tour' plaatsvindt? Zo kan u ook in andere Kinepoliszalen een film uit het festivalprogramma meepikken. Zo ook voor de nieuwe Vlaamse film die hoge verwachtingen heeft gezaaid: The broken circle Breakdown. W<span style="line-height: 19px; text-align: left;">ie er op 9 oktober niet bij kan zijn in Kinepolis Gent, kan de film </span><span style="line-height: 19px; text-align: left;">ook in Kinepolis Antwerpen, Leuven, Hasselt of Kortrijk zien.</span></span></div>
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<span style=" color: #f3f3f3; font-family: Arial, Helvetica, sans-serif;"><span style="line-height: 19px; text-align: left;">Wist u dat m</span><span style="line-height: 20px; text-align: left;">et negen Vlaamse films in de programmatie van de 39ste Filmfestival Gent, er een record wordt verbroken? Volgens Patrick Duynslaegher (de artistiek directeur van het festival) is dit 'Het beste bewijs dat het goed gaat met de Vlaamse film' (<a href="http://www.standaard.be/artikel/detail.aspx?artikelid=DMF20120920_071&word=filmfestival+gent" target="_blank">standaard.be</a>).</span></span></div>
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<span style=" color: #f3f3f3; font-family: Arial, Helvetica, sans-serif;"><span style="line-height: 20px; text-align: left;">Wist u dat de liefhebber van documentaires ook op het festival terecht kan? Met</span><span style="font-size: 16px; line-height: 20px; text-align: left;"> twee vertoningen van de 15-delige documentaire 'The Story of Film: An Odyssey', goed voor 15 uur kijkplezier, verwent het Filmfestival Gent de 'echte cinemafans' tijdens zijn 39ste editie (<a href="http://www.standaard.be/artikel/detail.aspx?artikelid=DMF20120925_128&word=filmfestival+gent" target="_blank">standaard.be</a>).</span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><span style=" color: #f3f3f3; font-size: 16px; line-height: 20px; text-align: left;"><br /></span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><span style=" color: #f3f3f3; font-size: 16px; line-height: 20px; text-align: left;">Wist u dat op 20 oktober op het Filmfestival van gent de <a href="http://www.filmfestival.be/about2.cgi?go=nextyear&lang=en" target="_blank">World Soundtrack Awards</a> worden uitgereikt? Tickets bestellen kan via de website, en studenten kunnen er extra voordelig bijzijn!</span></span></div>
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</div>Lumièrehttp://www.blogger.com/profile/03760591998799509107noreply@blogger.com0tag:blogger.com,1999:blog-7371651641276952122.post-8756742123292759692012-09-19T18:37:00.000+02:002012-09-19T18:37:31.587+02:00Shostakovich, ontknoping van het film & literatuurspel, psychologische instabiliteit met Whatever Happened to Baby Jane en klassieke muziek en gruwel met Dr. Hanibal Lecter<span style="font-family: Arial, Helvetica, sans-serif;">De aflevering voor zondag zit weer bomvol!</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;"><br />
</span> <span style="font-family: Arial, Helvetica, sans-serif;">+ Dmitri Shostakovic is vooral gekend als componist van de concertzaal binnen de communistische Sovjet-staat. Hij schreef echter ook ontzettend veel muziek voor films. Dinsdag 25 september wordt zijn 106e verjaardag gevierd, wij geven hem zondag al wat welverdiende aandacht. </span><br />
<span style="font-family: Arial, Helvetica, sans-serif;"><br />
</span> <span style="font-family: Arial, Helvetica, sans-serif;">+ We laten je nog tot zondag wachten om te weten over welk boek het gaat bij ons film & literatuurspel. Professor Jan Baetens vertelt ons meer over het boek en de adaptatie. </span><br />
<span style="font-family: Arial, Helvetica, sans-serif;"><br />
</span> <span style="font-family: Arial, Helvetica, sans-serif;">+ We duiken weer 50 jaar filmgeschiedenis in en botsen daar op <i>Whatever Happened to Baby Jane? </i>(Robert Aldrich). </span><br />
<span style="font-family: Arial, Helvetica, sans-serif;"><br />
</span> <span style="font-family: Arial, Helvetica, sans-serif;">+ Wat hebben klassieke muziek en gruwel met elkaar te maken? Kom alles over Dr. Hannibal Lecter en <i>Hannibal </i>(Ridley Scott, 2001) te weten, want we doen een onderzoek naar deze film uit de doeken. Hier al een fragmentje uit Silence of the Lambs (1991).</span><br />
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</span> <div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/He1MTYvyUes?feature=player_embedded' frameborder='0'></iframe></div><span style="font-family: Arial, Helvetica, sans-serif;">
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</span> <span style="font-family: Arial, Helvetica, sans-serif;">+ Iemand stelde de filmmuziek uit de film <i>Donnie Darko</i> (Richard Kelly). Wij nemen een kijkje naar deze pop-compilatie score.</span>
<span style="font-family: Arial, Helvetica, sans-serif;">
</span> <span style="font-family: Arial, Helvetica, sans-serif;">+ Blijf kijken op de website van het American Film Institute: suggesties kunnen wel eens filmtickets opleveren! Mail naar: lumiere_radioscorpio@gmail.com</span>
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</span> <span style="font-family: Arial, Helvetica, sans-serif;">Genoeg redenen om deze week ook weer in te tunen op 106FM of www.radioscorpio.be, dit om 23u! </span>
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</span>Lumièrehttp://www.blogger.com/profile/03760591998799509107noreply@blogger.com0tag:blogger.com,1999:blog-7371651641276952122.post-88333676069473277372012-09-12T11:10:00.000+02:002012-09-12T11:10:45.773+02:00Le French New Wave<span style="font-family: Arial, Helvetica, sans-serif;">Salut mes chères cinéphiles! </span><br />
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</span> <span style="font-family: Arial, Helvetica, sans-serif;">Zondag 16.9 brengen we </span><br />
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</span> <span style="font-family: Arial, Helvetica, sans-serif;">+ een ode aan La Nouvelle Vage, een nieuwe wind die door de Franse cinéma waaide eind jaren '50, begin jaren '60: zwoele trompet melodieën en subtiele lichtvoetige humor in een van de eerste New Wave-experimenten, L'Ascenseur pour l'échefaud (Louis Malle, 1958) en weer een film uit 1962 die tot dezelfde stroming behoort: Jules et Jim (François Truffaut).</span><br />
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</span> <div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/zDMfC0CjCSA?feature=player_embedded' frameborder='0'></iframe></div><span style="font-family: Arial, Helvetica, sans-serif;">
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</span> <span style="font-family: Arial, Helvetica, sans-serif;">+ muziek van Arthur Benjamin van onder andere Alfred Hitchcock's The Man Who Knew Too Much (1934, remake 1956).</span>
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</span> <span style="font-family: Arial, Helvetica, sans-serif;">+ meer film & literatuur: blijven meespelen is de boodschap!</span>
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</span> <span style="font-family: Arial, Helvetica, sans-serif;">+ recente releases, o.a. Ruby Sparks (Jonathan Dayton and Valerie Faris, het echtpaar bekend van onder andere Little Miss Sunshine) </span>
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</span> <span style="font-family: Arial, Helvetica, sans-serif;">+ muziek die jij kan bepalen! Surf naar <a href="http://www.afi.com/" target="_blank">American Film Institute</a> en kies er eentje uit, </span>
<span style="font-family: Arial, Helvetica, sans-serif;">mail je keuze naar <a href="mailto: lumiere.radioscorpio@gmail.com" target="_blank">lumiere.radioscorpio@gmail.com</a> </span>
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</span>Lumièrehttp://www.blogger.com/profile/03760591998799509107noreply@blogger.com0